Arkhip Kuindzhi乌克兰, 1842–1910Вечер
能看到吗？
不明
《Вечер》现在在哪里？ 收藏方: North Ossetian State Art Museum named after M. S. Tuganov, Vladikavkaz. 不明.
Vladikavkaz, 俄罗斯
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
关于这幅画
博物馆的介绍 — 俄语
Вечер. Закат солнца на озере. На переднем плане мостки, с которых мальчик удит рыбу. Вдали - оранжево-лиловый закат.
North Ossetian State Art Museum named after M. S. Tuganov
作品信息
已收入目录
出处
- 俄罗斯博物馆藏品国家目录
- 图片： North Ossetian State Art Museum named after M. S. Tuganov — © Северо-Осетинский государственный художественный музей им. М. С. Туганова · Госкаталог музейного фонда РФ
Arkhip Kuindzhi当时的生活
完整生平summer 1855
To Feodosia, to Aivazovsky
The grain merchant Amoretti (in another version, A. L. Durante) noticed Arkhip’s drawings and advised him to go to the Crimea to see Aivazovsky. In summer 1855 Kuindzhi came to Feodosia and, at the marine painter’s estate near the village of Sheikh-Mamai, ground paints and painted a fence; on his return Aivazovsky said he could not teach him personally and advised Odessa or the St Petersburg Academy.
1865
Moves to St Petersburg and fails twice to enter the Academy
In 1865 Kuindzhi decided to enter the Academy of Arts and left for St Petersburg, but his first two attempts failed.
15 September 1868
Awarded the title of free artist
On 15 September 1868 the Council of the Academy of Arts awarded Kuindzhi the title of free artist. Only after a petition to the Council was he allowed to sit the examinations in the main and special subjects needed for a diploma.
1878
The World Exhibition in Paris
In 1878 Kuindzhi’s works were shown at the World Exhibition in Paris in the presence of the artist and his wife; public and critics admired them and noted the absence of foreign influence. The critic Duranty called him the most interesting of the young Russian painters, in whom, more than in others, an original national character is felt.
late 1879
The break with the Peredvizhniki
By the end of 1879 Kuindzhi broke with the Peredvizhniki for good: an anonymous newspaper article sharply criticised both his work and the Society, and its author turned out to be Klodt. Kuindzhi demanded Klodt’s expulsion but, realising that Klodt, an Academy professor, would not be expelled, announced his own withdrawal despite attempts to persuade him to stay; many scholars consider the story only a pretext for a break that had long been brewing.
1882
The last exhibition before the silence
In June 1882, in the Solodovnikov Passage on Kuznetsky Most, Kuindzhi staged an exhibition of two paintings, “The Birch Grove” and “Moonlit Night on the Dnieper”. After it he “fell silent” for twenty years, shutting himself up in his studio and showing his work to no one.
