![Untitled: Four Etchings [B], Glenn Ligon, 1992](https://img.artsmia.org/web_objects_cache/043000/400/60/43461/mia_1015826_800.jpg)
Glenn Ligon美国, 1960Untitled: Four Etchings [B]
可否一睹真容？
是，正在展出
《Untitled: Four Etchings [B]》现在在哪里？ 明尼阿波利斯美術館, G373, 明尼阿波利斯. 是，正在展出. 核实 2026年9月29日.
明尼阿波利斯, 美國
正对公众展出。
- 核实
- 此状态始于
- 出处
- 博物馆
关于作品
Painter, photographer, and printmaker Glenn Ligon's provocative artwork mines the history of African-American culture, from slave narratives to the Million Man March on Washington, D.C.
In this suite of untitled etchings, Ligon addresses lingering racism in America by invoking the autobiographical writings of renowned black authors. The prints with black texts printed on white paper feature excerpts from the 1928 essay How It Feels to Be Colored Me by Zora Neale Hurston. Ligon explains: The prints play with the notion of becoming 'colored' and how that 'becoming' obscures meaning and also created this beautiful, abstract thing.
继续阅读
The pair with black texts printed on black paper feature texts from Ralph Ellison's 1952 novel Invisible Man, which describes blacks in America as ghosts, present and real, but because of racism, remaining unseen. Together, the pairs of prints symbolically illustrate the continued separation between the races.
明尼阿波利斯美術館
作品信息
- 馆藏编号
- P.93.17.2
已收入目录
出处
- 明尼阿波利斯美術館
- 图片： 明尼阿波利斯美術館 — © Glenn Ligon
![Untitled: Four Etchings [A], Glenn Ligon, 1992](https://img.artsmia.org/web_objects_cache/043000/400/60/43460/mia_1015823_800.jpg)
![Untitled: Four Etchings [C], Glenn Ligon, 1992](https://img.artsmia.org/web_objects_cache/043000/400/60/43462/mia_1015824_800.jpg)
![Untitled: Four Etchings [D], Glenn Ligon, 1992](https://img.artsmia.org/web_objects_cache/043000/400/60/43463/mia_1015825_800.jpg)
![Untitled (Well, I am one who doesn't believe in deluding myself. [Malcolm X]), Glenn Ligon, 1989](https://www.moma.org/media/W1siZiIsIjEyODYxMyJdLFsicCIsImNvbnZlcnQiLCItcmVzaXplIDEwMjR4MTAyNFx1MDAzZSJdXQ.jpg?sha=d7c6ccca8dab30de)
