Untitled (bathers on the beach) [recto], Mark Rothko, 1934
Mark Rothko肖像Mark Rothko美国, 1903–1970

Untitled (bathers on the beach) [recto]

1934 · Drawing

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《Untitled (bathers on the beach) [recto]》现在在哪里? 收藏方: 国家美术馆, 華盛頓哥倫比亞特區. 目前未展出. 核实 2026年9月29日.

国家美术馆

華盛頓哥倫比亞特區, 美國

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出处
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作品信息

馆藏编号
1986.56.600.a

画面内容

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出处

  • 国家美术馆
  • 图片: 国家美术馆 — © the artist or rights holder

Mark Rothko当时的生活

完整生平
  1. 1929–1952

    Teaching children at the Brooklyn Jewish Center

    From 1929 Rothko taught drawing, painting and clay sculpture part-time to schoolchildren at the Center Academy of the Brooklyn Jewish Center, where he remained until 1952.

  2. early 1930s

    Milton Avery and Adolph Gottlieb

    In the early 1930s Rothko met Adolph Gottlieb and the circle around Milton Avery, including Barnett Newman, Joseph Solman, Louis Schanker and John Graham. According to Elaine de Kooning it was Avery who convinced Rothko that a professional artist’s life was possible; the friends vacationed together at Lake George and Gloucester, painting by day and talking about art in the evenings.

  3. 1932

    Edith Sachar: meeting and marriage

    At Lake George in 1932 Rothko met the jewelry designer Edith Sachar, whom he married later that year.

  4. summer 1933

    First solo show at the Portland Art Museum

    In the summer of 1933 the Portland Art Museum held Rothko’s first one-person show, mostly drawings and watercolours. In a very unusual step he hung works by his young pupils from the Center Academy alongside his own.

  5. 21 November – 9 December 1933

    First solo show in New York

    At the Contemporary Arts Gallery Rothko showed fifteen oil paintings, mostly portraits, along with watercolours and drawings. The oils especially caught the critics’ eye: his fields of colour had already moved beyond Avery’s influence.

  6. late 1935

    Joins “The Ten”

    In late 1935 Rothko joined Ilya Bolotowsky, Ben-Zion, Adolph Gottlieb, Louis Harris, Ralph Rosenborg, Louis Schanker and Joseph Solman to form “The Ten”, whose stated aim was to protest against the supposed equivalence of American painting and literal painting.

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