"Une splendide créature que j'avais aimée la veile."

1890s–1900s

Young sculptors in Rodin's studio

His income let him hire gifted young sculptors, among them Antoine Bourdelle, Charles Despiau, Jules Desbois, François Pompon and Aristide Maillol. Constantin Brancusi left after two months, convinced that nothing grows under a big tree.

1897

An album of Rodin's drawings

The industrialist and collector Maurice Fenaille published an album of 147 reproductions of Rodin's drawings in an edition of 125 copies. It sold out at once.

1898

Parts from Camille Claudel

Rodin never gave up Rose Beuret, his companion of the lean years and the mother of his son; in 1898 he and Claudel parted. A few years later Claudel suffered what is called a nervous breakdown, and her family confined her to an institution for thirty years.

1898

The scandal over “Balzac”

The monument's showing in 1898 caused a storm: the Société des Gens de Lettres rejected it, the press ran parodies, and Monet, Debussy and the future premier Clemenceau signed a manifesto in Rodin's defence. Rodin repaid the commission and moved the statue to his garden; he never completed another public commission.

1900

Rodin's pavilion at the World's Fair

The French government gave him an entire pavilion: a retrospective of 136 sculptures and 14 unfinished works showed “The Gates of Hell” for the first time. The exhibition brought sales of sculptures to museums around the world worth about 200,000 francs.

1900s

Portraits of the famous and the rich

Rodin began to receive regular commissions for portraits; his clients included Bernard Shaw, Gustav Mahler, Georges Clemenceau, the Argentine president Sarmiento, the chemist Berthelot and the philanthropist Bertha Palmer. Clemenceau was displeased: he thought the portrait looked like a “Mongol general”.