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  3. Twee honing dieven
Twee honing dieven, Wilhelm Busch, 1860 - c. 1868
Wilhelm Busch肖像Wilhelm Busch德国, 1832–1908

Twee honing dieven

1860 - c. 1868 · Print

可否一睹真容?

未知

阿姆斯特丹国家博物馆

阿姆斯特丹, 荷蘭

所有者已知,目前是否展出尚不清楚。

出处
博物馆
在地图上看博物馆页面

关于作品

博物馆的介绍 — 荷兰语

Blad met twaalf voorstellingen uit het het verhaal van de twee deugnieten Kees en Jan die honing stelen en vervolgens gestoken worden door bijen. Onder elke afbeelding een tweeregelig vers.

阿姆斯特丹国家博物馆

作品信息

1860 - c. 1868
18321908
馆藏编号
KOG-ZG-1-19A-247

画面内容

Bee-hiveTales and fairy tales

已收入目录

版画现实主义印象派19 世纪

出处

  • 阿姆斯特丹国家博物馆
  • 图片: 阿姆斯特丹国家博物馆 — public domain

与此同时,在Wilhelm Busch的生活中

完整生平
  1. 1858–1865

    Work for the “Fliegende Blätter” and Kaspar Braun

    Busch drew close to the artists' association Jung München (Young Munich), wrote and drew for its newspaper, and the publisher of satirical papers Kaspar Braun proposed a collaboration that gave him enough to live on. Between 1860 and 1863 he contributed more than a hundred pieces to the “Münchener Bilderbogen” and “Fliegende Blätter”.

  2. 1865

    “Max and Moritz”: Richter declines, Braun buys

    Busch offered Richter the manuscript of “Max and Moritz” without a fee, but Richter rejected it as sales prospects seemed poor; his former publisher Braun bought the rights for 1,000 gulden, roughly twice a craftsman's annual wage. The book tells of seven pranks by two mischievous boys who are finally ground up and fed to ducks.

  3. June 1867

    From Munich to Frankfurt: meeting his brother Otto

    Busch decided to leave Munich, where few relatives lived and the artists' association had been temporarily disbanded; in June 1867 he met his brother Otto in Frankfurt, who was working as a tutor to the family of the banker and industrialist Kessler.

  4. 1867–1872

    Johanna Kessler — patron and friend

    Johanna Kessler, the banker's wife, a mother of seven and an influential patron of art and music whose villa was open to artists, musicians and philosophers, believed Busch to be a great painter — although his humorous drawings did not appeal to her — and gave him an apartment and studio in her villa, later an apartment nearby. Her support and the introduction to Frankfurt's cultural life made the “Frankfurt years” his most artistically productive.

  5. 1868

    The second edition: “Max and Moritz” begins to sell

    Sales were slow at first but improved after the second edition; by Busch's death there had been 56 editions and more than 430,000 copies sold. Critics ignored the book at first, and in the 1870s teachers described it as frivolous and an undesirable influence on the moral development of young people.

  6. 1870

    “The Life of Saint Anthony of Padua” appears

    The satire on Catholic belief was released by the publisher Moritz Schauenburg just as Pope Pius IX proclaimed the dogma of papal infallibility, which Protestants harshly criticised. Scenes of Antonius admitted to heaven with a pig and of the devil, as a half-naked ballet dancer, seducing the saint were deemed controversial.

Wilhelm Busch的更多作品

全部作品
De boer en zijn varken, Wilhelm Busch, 1843 - c. 1920

De boer en zijn varken

1843 - c. 1920 · 阿姆斯特丹国家博物馆

De boer en zijn varken, Wilhelm Busch, 1843 - c. 1920

De boer en zijn varken

1843 - c. 1920 · 阿姆斯特丹国家博物馆

De boer en de molenaar, Wilhelm Busch, 1843 - c. 1920

De boer en de molenaar

1843 - c. 1920 · 阿姆斯特丹国家博物馆

De vechtende hanen, Wilhelm Busch, 1843 - c. 1920

De vechtende hanen

1843 - c. 1920 · 阿姆斯特丹国家博物馆

De boer en zijn varken, Wilhelm Busch, 1843 - c. 1920

De boer en zijn varken

1843 - c. 1920 · 阿姆斯特丹国家博物馆

De boer en het kalf, Wilhelm Busch, 1843 - c. 1920

De boer en het kalf

1843 - c. 1920 · 阿姆斯特丹国家博物馆

De boer en zijn varken, Wilhelm Busch, 1843 - c. 1920

De boer en zijn varken

1843 - c. 1920 · 阿姆斯特丹国家博物馆

De wraak van den olifant, Wilhelm Busch, 1843 - c. 1920

De wraak van den olifant

1843 - c. 1920 · 阿姆斯特丹国家博物馆

同馆近邻:阿姆斯特丹国家博物馆

博物馆页面
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

夜巡, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Landscape with a Stone Bridge, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634