Triumphant Youth, Auguste Rodin, c. 1894
Auguste Rodin肖像Auguste Rodin法国, 1840–1917

Triumphant Youth

c. 1894 · Sculpture

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《Triumphant Youth》现在在哪里? 收藏方: 克利夫蘭藝術博物館, 克利夫兰. 目前未展出. 核实 2026年9月29日.

克利夫蘭藝術博物館

克利夫兰, 美國

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关于这件雕塑

Youth Triumphant is one of the sculptures created by Auguste Rodin as part of the planning for his The Gates of Hell. It was inspired by Jean Dampt's The Grandmother's Kiss, exhibited in 1893. That work shows a young woman resting in the arms of an old woman, with the pair deeply kissing.

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作品信息

馆藏编号
1960.88

已收入目录

出处

Auguste Rodin当时的生活

完整生平
  1. 1890s–1900s

    Young sculptors in Rodin's studio

    His income let him hire gifted young sculptors, among them Antoine Bourdelle, Charles Despiau, Jules Desbois, François Pompon and Aristide Maillol. Constantin Brancusi left after two months, convinced that nothing grows under a big tree.

  2. 1892年1月19日 · 获奖

    Officer of the Legion of Honour

  3. 1893

    Chicago: nudes behind a drape

    Through the curator Sarah Hallowell, Rodin sent “Cupid and Psyche”, “Sphinx” and “Andromeda” to the Chicago World's Fair; the nudes caused such controversy that they were hidden behind a drape, with special permission needed to see them. Even so, the financier Charles Yerkes bought two large marbles and was probably the first American to own a Rodin.

  4. 1895

    Buys the Villa des Brillants at Meudon

    Rodin bought the Villa des Brillants estate near Paris and moved his studio there, but there was not enough room and two years later it went back to Paris. His income let him collect: Egyptian, Greek and Roman sculpture, Persian miniatures and paintings by his contemporaries, including Van Gogh's “Portrait of Père Tanguy”.

  5. 1895

    “The Burghers of Calais” installed in Calais

    Against Rodin's wishes — he had hoped to place the group at ground level near the town hall — Calais chose a high platform in front of a public garden, with a cast-iron railing. Rodin had proposed doing without a pedestal so that viewers could “penetrate to the heart of the subject”.

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