Trees at Hampstead: The Path to Church

1821 · Oil painting · 91.4 × 72.4 cm

能看到吗？

是，正在展出

《Trees at Hampstead: The Path to Church》现在在哪里？ 维多利亚和阿尔伯特博物馆, Paintings, Room 87, The Edwin and Susan Davies Galleries, 倫敦. 是，正在展出. 核实 2026年9月25日.

维多利亚和阿尔伯特博物馆

倫敦, 英国

展厅Paintings, Room 87, The Edwin and Susan Davies Galleries

闭馆· 明天 10:00 开馆

正对公众展出。

核实: 15天前
此状态始于: 2026年9月25日
出处: 博物馆

在地图上看博物馆页面

关于这幅画

The artist described the view as 'a natural (but highly elegant) group of trees, ashes, elms, & oak &c - which will be of quite as much service as if I had bought the field and hedge row'. The spire of Hampstead parish church can be seen at the bottom left. Constable and his wife lie buried in the graveyard.

维多利亚和阿尔伯特博物馆

作品信息

馆藏编号: 1630-1888

画面内容

树 Hampstead

已收入目录

绘画油画英国绘画新古典主义浪漫主义 19 世纪 British School 大不列顛島

出处

维多利亚和阿尔伯特博物馆
图片：维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London

John Constable当时的生活

完整生平

1821
“The Hay Wain” at the Royal Academy
The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.
1821
Son born: Charles Golding Constable
1821
“I should paint my own places best”
In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.
23 October 1821
To Fisher: “I have done a good deal of skying”
Constable wrote to Fisher that he had done a good deal of skying and was determined to conquer all the difficulties that remained. He made cloud studies, noting the weather, direction of light and time of day on the back, and held the sky to be the key note of a landscape, drawing on the meteorologist Luke Howard’s classification of clouds.
1822/1823
Daughter born: Isabel Constable