The Virgin and Child
可否一睹真容？
可以，正在迎客
正对公众展出。由谁担保，见下文。
- 核实
- 此状态始于
- 出处
- 博物馆
关于这件雕塑
Ivory was used all over Europe for religious works of art. It was often combined with precious metals and usually took the form of relief panels, for book covers, portable altars and caskets. An almost unbroken tradition of ivory carving extends from the Roman and Byzantine empires until the end of the 14th century. From about 1250, Paris became the centre of production for figures and reliefs intended for private devotion.
Three dimensional images of the Virgin and Child were ubiquitous from the twelfth to the fifteenth centuries, produced in a wide range of materials and sizes and testifying the overwhelming devotion to the Virgin. Together with the Crucifixion, statues and statuettes of the Virgin and Child were the principal objects of devotion in the Christian Church, and vast numbers were made for ecclesiastical, monastic and private worship.
维多利亚和阿尔伯特博物馆
作品信息
- 馆藏编号
- 203-1867
画面内容
已收入目录
出处
- 维多利亚和阿尔伯特博物馆
- 图片： 维多利亚和阿尔伯特博物馆 — © Victoria and Albert Museum, London
