The Steerage, Alfred Stieglitz, 1907, printed 1911
Alfred Stieglitz肖像Alfred Stieglitz美国, 1864–1946

The Steerage

1907, printed 1911 · Photograph

可否一睹真容?

眼下不见客

国家美术馆

華盛頓哥倫比亞特區, 美國

仍属馆藏,只是目前没有展出。

核实
此状态始于
出处
博物馆

作品信息

馆藏编号
1949.3.294

画面内容

已收入目录

出处

  • 国家美术馆
  • 图片: 国家美术馆 — © the artist or rights holder

与此同时,在Alfred Stieglitz的生活中

完整生平
  1. 25 November 1905

    The 291 gallery opens on Fifth Avenue

    On November 25, 1905, the Little Galleries of the Photo-Secession opened at 291 Fifth Avenue with one hundred prints by thirty-nine photographers; Edward Steichen had encouraged Stieglitz to lease the three rooms across from his own apartment. The gallery was an instant success, with almost fifteen thousand visitors in its first season and print sales of nearly $2,800, more than half of them Steichen's work.

  2. 1907

    Paris: Gertrude Stein and a turn to painting

    In Paris in 1907 Stieglitz met Gertrude Stein and was captivated by Rodin, Matisse, Toulouse-Lautrec, Cézanne and Rousseau. He decided to turn his photography gallery into a full art gallery to introduce the conservative American public to the newest European art.

  3. 1907

    Pamela Colman Smith's drawings at 291

    In December 1906 Stieglitz met the 28-year-old artist Pamela Colman Smith and decided to show her drawings and watercolours, thinking it “highly instructive to compare drawings and photographs”. Her show, which opened in January 1907, drew far more visitors than any previous photography show, and all her works were sold.

  4. January – April 1908

    Rodin and Matisse at 291

    In January 1908 Stieglitz showed drawings by Rodin at his gallery, and in April an exhibition of Matisse, beginning his campaign to introduce the American public to the newest European art.

  5. 1910

    The Albright show and a new round of attacks

    In 1910 the director of the Albright Art Gallery invited Stieglitz to organise a major show of the best contemporary photography, which provoked a new round of attacks: American Photography magazine called the Photo-Secession “a reactionary force of the most dangerous type”. “The reputation, not only of the Photo-Secession, but of photography is at stake,” Stieglitz wrote to the photographer George Seeley.

  6. March – April 1911

    Cézanne watercolours and Picasso drawings at 291

    In March 1911 Stieglitz presented Cézanne's watercolours to the American public, and in April drawings and watercolours by Picasso.

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