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  3. The Races
The Races, Edouard Manet, c. 1865 - c. 1872
Édouard Manet肖像Édouard Manet法国, 1832–1883

The Races

c. 1865 - c. 1872 · Print

可否一睹真容?

眼下不见客

哈佛藝術博物館

剑桥, 美國

仍属馆藏,只是目前没有展出。

核实
前天
此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

c. 1865 - c. 1872
18321883
馆藏编号
G8744

已收入目录

版画石版画现实主义印象派19 世纪法国

出处

  • 哈佛藝術博物館
  • 图片: 哈佛藝術博物館 — © President and Fellows of Harvard College

与此同时,在Édouard Manet的生活中

完整生平
  1. 1863

    “The Luncheon on the Grass” at the Salon des Refusés

    The Salon of 1863 rejected “The Luncheon on the Grass” (originally “Le Bain”), and Manet exhibited it at the Salon des Refusés, a parallel exhibition initiated by Napoleon III after a public outcry, the jury having accepted only 2,217 of more than 5,000 submissions. The juxtaposition of dressed men and a nude woman and the sketch-like handling caused a scandal; one critic compared the brushwork to a “floor mop”.

  2. 1863

    Marries Suzanne Leenhoff

    In 1863, a year after his father's death, Manet married Suzanne Leenhoff at a Protestant church: a Dutch-born piano teacher two years his senior with whom he had been romantically involved for about ten years. Auguste Manet had employed her to teach his sons the piano, and she may also have been Auguste's mistress.

  3. 1865

    “Olympia” at the Salon: a scandal

    In 1865 the Salon accepted “Olympia”, and the frank depiction of a self-assured prostitute created a scandal; according to Antonin Proust, only the precautions taken by the administration prevented the painting from being punctured and torn. The popular press caricatured it, while the avant-garde, including Courbet, Cézanne and Monet, championed it.

  4. 1867

    His own pavilion near the Pont de l'Alma

    In 1867, during the World's Fair in Paris, Manet set up his own pavilion near the Pont de l'Alma and showed fifty of his best works of the past ten years. Possibly this step led to his works being accepted at the next two Salons.

  5. 1868

    Friendship with Berthe Morisot

    In 1868 Manet became a friend and colleague of Berthe Morisot; she is credited with convincing him to attempt plein air painting, to which Camille Corot had introduced her. Through Morisot, Manet became friends with Degas, Monet, Renoir, Sisley, Cézanne and Pissarro.

  6. 1870

    The siege of Paris: Manet in the army

    During the siege of Paris Manet, a convinced republican, sent his family to Oloron-Sainte-Marie in the south of France, while he himself, with many fellow artists, joined the army and took part in the defence of the capital; he was lucky to survive.

Édouard Manet的更多作品

全部作品
The Spanish Singer, Edouard Manet, 1860

The Spanish Singer

1860 · 大都會藝術博物館

The Smoker, Édouard Manet, 1866

The Smoker

1866 · 明尼阿波利斯美術館

Young Lady in 1866, Edouard Manet, 1866

Young Lady in 1866

1866 · 大都會藝術博物館

Boating, Edouard Manet, 1874

Boating

1874 · 大都會藝術博物館

La Vierge au lapin, Manet, Édouard, Milieu du XIXe siècle (1840 - 1860)

La Vierge au lapin

Milieu du XIXe siècle (1840 - 1860) · 卢浮宫博物馆

Boy with a Sword, Edouard Manet, 1861

Boy with a Sword

1861 · 大都會藝術博物館

Portrait of Madame Brunet, Édouard Manet, about 1861–1863, reworked by 1867

Portrait of Madame Brunet

about 1861–1863, reworked by 1867 · J·保羅·蓋蒂博物館

The Old Musician, Edouard Manet, 1862

The Old Musician

1862 · 国家美术馆

同馆近邻:哈佛藝術博物館

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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

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