Gustave Courbet法国, 1819–1877畫家的工作室
The Painter's Studio
关于这幅画
《畫室：概括了我七年藝術和道德生活的真實寓喻》 （法語：L'Atelier du peintre. Allégorie réelle déterminant une phase de sept années de ma vie artistique et morale）是1855年居斯塔夫·庫爾貝在奥尔南完成的一幅油畫，現藏於巴黎奧賽美術館。
畫中人物代表的是影響了庫爾貝畫家生涯的重要人、事。畫上左邊是來自不同階級的人，中間是代表學院藝術的裸體模特，右邊則是庫爾貝的朋友和熟人。後者主要是巴黎的社會精英，包括夏爾·波德萊爾、尚弗勒里、蒲鲁东及庫爾貝的主要贊助人阿尔弗雷德·布鲁亚斯。
1855年世界博覽會上庫爾貝共有十一幅作品入選，但《畫室》並不在其中。在阿尔弗雷德·布鲁亚斯的幫助下，庫爾貝自己舉辦了畫展，這一舉動影響了後來的落選者沙龍。儘管庫爾貝宣稱這幅畫完美地展現了社會的各個層面，但當時這幅作品並不被人們所看好，只有歐仁·德拉克洛瓦等少數人對它表示讚賞。
作品信息
- 馆藏编号
- RF 2257
已收入目录
出处
- 维基数据
- 图片： 奥赛博物馆 — Gustave Courbet · Public domain · Wikimedia Commons
Gustave Courbet当时的生活
完整生平1855
Stages the “Pavilion of Realism”
Refusing to accept the jury's decision, Courbet asked museums and private owners to lend his paintings, had a separate building erected and showed about forty canvases there, without state permission, under the Second Empire. The public was baffled and laughed at the “crude art”, and the critics mocked him; the paintings were appreciated by Delacroix and Baudelaire.
1855
The “Realist Manifesto” in the exhibition catalogue
The catalogue of the Pavilion of Realism opened with a manifesto in which Courbet claimed the right to artistic freedom and the right to show his works to the public on his own. He defined his aim as conveying the customs, ideas and appearance of his time, to be not only a painter but a man as well: to “create living art”.
1855
The Exposition Universelle jury turns down three paintings
Courbet submitted fourteen paintings to the Salon of 1855, part of the Exposition Universelle; three were rejected “for lack of space”, among them the monumental “A Burial at Ornans” and “The Artist's Studio”.
1855
Empress Eugénie before “The Bathers”
According to Proudhon's recollection, Empress Eugénie, visiting the Pavilion of Realism, stopped before Courbet's “Bathers”, with its robustly peasant-like nude body shown without the usual idealization, and exclaimed, “Is this a Percheron too?” She had just been looking at Rosa Bonheur's “Horse Fair”.
1857
Salon of 1857: “Young Ladies on the Banks of the Seine”
At the Salon of 1857 Courbet showed six paintings, among them “Young Ladies on the Banks of the Seine (Summer)”, painted the year before, and the first of his many hunting scenes. Modern women casually displaying their undergarments caused a scandal; pairing sensational works with hunting scenes secured Courbet both notoriety and sales.
