The Modern Sphynx, John Tenniel, 19th century
John Tenniel肖像John Tenniel英国, 1820–1914

The Modern Sphynx

19th century · Print

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出处

John Tenniel当时的生活

完整生平
  1. 28 February 1820

    Born in London

    The youngest of the three sons of John Baptist Tenniel, a fencing master of French Huguenot descent, and Eliza Maria Tenniel; his father wanted him to take up a military career. He was born in Kensington — by other accounts, in Bayswater.

  2. 1840

    Loses the sight of one eye

    During fencing practice his father’s foil, which had accidentally lost its protective tip, badly wounded Tenniel’s eye; in time he lost its sight — the left eye, by other accounts the right — but never told his father how serious the wound was. After the accident he gave up painting, with rare exceptions, and concentrated on graphic art.

  3. 1845

    The Palace of Westminster mural competition

    Despite missing the deadline, he submitted a 16-foot (4.9 m) cartoon, “An Allegory of Justice”, to the competition for the murals of the new Palace of Westminster. It was not accepted, but Tenniel won a £200 premium and a commission for a fresco in the Hall of Poets of the House of Lords — Saint Cecilia, after John Dryden.

  4. December 1850

    Becomes a cartoonist for “Punch”

    At Christmas 1850 Mark Lemon invited him to join John Leech as cartoonist of “Punch”, on the strength of his recent illustrations to Aesop’s Fables. His first drawing for the magazine was an initial letter, “Lord Jack the Giant Killer”, showing Lord John Russell assailing Cardinal Wiseman.

  5. 1864

    Meets Lewis Carroll

    Carroll had wanted to illustrate “Alice’s Adventures in Wonderland”, already set in type, himself, but his drawing was amateurish, and the publisher Alexander Macmillan advised him to approach Tenniel (by other accounts it was the engraver Orlando Jewitt who suggested hiring a professional). Having read the text, Tenniel agreed to make forty-two illustrations — the number Carroll insisted on.

  6. 1864

    Chief cartoonist of “Punch” after Leech’s death

    When John Leech died, Tenniel became chief cartoonist of “Punch” and carried on their work alone, rarely missing a single week. His drawings followed the wishes of the magazine’s editors and could be scathing.

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