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  1. 藏品/
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  3. The Lovers
The Lovers, René Magritte, Paris 1928
René Magritte肖像René Magritte比利时, 1898–1967

The Lovers

Paris 1928 · Painting

可否一睹真容?

可以,正在迎客

現代藝術博物館

纽约, 美國

展厅MoMA, Floor 5, 517

正对公众展出。由谁担保,见下文。

核实
9天前
出处
博物馆
在地图上看博物馆页面

关于这幅画

The Lovers (French: Les Amants (French pronunciation: [lez‿amɑ̃])) is a surrealist painting by René Magritte, made in Paris in 1928. It is the first in a series of four variations, and in the painting two people can be seen kissing passionately with their faces covered in a white cloth hiding their identities. The barrier of fabric transforms an act of passion, such as a kiss, into an act of frustration, representing the lovers who cannot be together. Currently, it is located in the MoMA of New York City, as a part of Richard S. Zeisler's collection.

维基百科 · CC BY-SA

作品信息

Paris 1928 · 30岁
18981967
馆藏编号
530.1998

与此同时,在René Magritte的生活中

完整生平
  1. 1927

    Meets Breton and joins the Surrealist circle

    In Paris he became friends with André Breton and joined his Surrealist circle, where he kept his individuality yet found his recognisable style. He was not afraid to argue with the others: he disliked psychoanalysis, especially in art, regarding his own work as philosophical and poetic rather than psychological.

  2. 1927

    Moves to Paris after the failed exhibition

    Depressed by the failure of the exhibition, he left for Paris with Georgette and stayed there for about three years.

  3. 1927

    First solo exhibition — and a failure

    His first solo exhibition opened in Brussels; the reviews were poor, and Magritte was depressed by the failure.

  4. 1929

    A contract with the Goemans Gallery in Paris

    In 1929 the Goemans Gallery in Paris put Magritte under contract, together with Jean Arp and Yves Tanguy.

  5. 15 December 1929

    The essay “Words and Images” in the Surrealists’ journal

    On 15 December 1929 the last issue, No. 12, of La Révolution surréaliste carried Magritte’s essay “Les mots et les images”, in which words play with images in step with his “The Treachery of Images”.

  6. 1930–1954 · 居住

René Magritte的更多作品

全部作品

同一展厅 · MoMA, Floor 5, 517, 現代藝術博物館

博物馆页面

René Magritte House

已收入目录

绘画油画现代主义20 世纪

出处

  • 現代藝術博物館
  • 图片: 現代藝術博物館 — © the artist or rights holder
The Promenades of Euclid, René Magritte, 1955

The Promenades of Euclid

1955 · 明尼阿波利斯美術館

The Menaced Assassin, René Magritte, Brussels 1927

The Menaced Assassin

Brussels 1927 · 現代藝術博物館

The False Mirror, René Magritte, Paris 1929

The False Mirror

Paris 1929 · 現代藝術博物館

La condition humaine, René Magritte, 1933

La condition humaine

1933 · 国家美术馆

The Portrait, René Magritte, Brussels 1935

The Portrait

Brussels 1935 · 現代藝術博物館

La durée poignardée (Time Transfixed), René Magritte, 1938

La durée poignardée (Time Transfixed)

1938 · 芝加哥藝術博物館

The Secret Life, René Magritte, 1928

The Secret Life

1928 · 克利夫蘭藝術博物館

On the Threshold of Liberty, René Magritte, February–March 1937

On the Threshold of Liberty

February–March 1937 · 芝加哥藝術博物館

Girl before a Mirror, Pablo Picasso, Paris, March 14, 1932

Pablo Picasso

Girl before a Mirror, Paris, March 14, 1932

The Little Theater, Salvador Dalí, 1934

Salvador Dalí

The Little Theater, 1934

Retrospective Bust of a Woman, Salvador Dalí, 1933 (some elements reconstructed 1970)

Salvador Dalí

Retrospective Bust of a Woman, 1933 (some elements reconstructed 1970)

The Persistence of Memory, Salvador Dalí, 1931

Salvador Dalí

記憶的堅持, 1931

The False Mirror, René Magritte, Paris 1929

René Magritte

The False Mirror, Paris 1929

The Menaced Assassin, René Magritte, Brussels 1927

René Magritte

The Menaced Assassin, Brussels 1927

The Birth of the World, Joan Miró, Montroig, late summer-fall 1925

Joan Miró

The Birth of the World, Montroig, late summer-fall 1925

Birds above the Forest (Oiseaux au-dessus de la forêt), Max Ernst, 1929

Max Ernst

Birds above the Forest (Oiseaux au-dessus de la forêt), 1929