The End (Ende), Käthe Kollwitz, 1897
Käthe Kollwitz肖像Käthe Kollwitz德国, 1867–1945

The End (Ende)

1897 · Print

可否一睹真容?

眼下不见客

国家美术馆

華盛頓哥倫比亞特區, 美國

仍属馆藏,只是目前没有展出。

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作品信息

馆藏编号
1943.3.5307

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已收入目录

出处

与此同时,在Käthe Kollwitz的生活中

完整生平
  1. 1892–1896

    Hauptmann’s “The Weavers” inspires a new cycle

    Between the births of her sons Hans and Peter she saw Gerhart Hauptmann’s play The Weavers, about the failed revolt of the Silesian weavers in Langenbielau in 1844. It inspired her to drop a series of etchings she had planned to illustrate Émile Zola’s Germinal and to produce a cycle on the weavers instead.

  2. 1896

    Birth of her son Peter

    In 1896 her younger son, Peter, was born; he was killed at the front in 1914.

  3. 1896年2月6日

    Son born: Peter Kollwitz

  4. 1898

    “The Weavers” at the Great Berlin Art Exhibition

    In 1898 the cycle was shown publicly at the Great Berlin Art Exhibition and was widely acclaimed.

  5. 1898

    The Kaiser refuses a gold medal to a woman

    Adolph Menzel nominated her work for the gold medal of the 1898 Great Berlin Art Exhibition, but Kaiser Wilhelm II withheld his approval, saying that a medal for a woman would be going too far and that orders and medals belonged on the breasts of worthy men.

  6. 1898–1903

    Teaches at the Women’s Art School

    From 1898 to 1903 she taught at the Women’s Art School in Berlin.

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