William Hogarth英格兰, 1697–1764The Bench
能看到吗？
不明
《The Bench》现在在哪里？ 收藏方: 菲茨威廉博物馆, Cambridge. 今日是否在展，尚不得而知.
Cambridge, 英国
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
关于这幅画
The Bench is the title of both a 1758 oil-on-canvas painting by the English artist William Hogarth, and a print issued by him in the same year. Unlike many of Hogarth's engravings produced from painted originals, the print differs considerably from the painting. It was intended as a demonstration of the differences between character painting, caricature and outré—developing on the theme he had begun to address in Characters and Caricaturas (his subscription ticket for Marriage à-la-mode)—but Hogarth was unhappy with the result as it showed only "characters", and he continued to work on the piece until his death.
作品信息
- 馆藏编号
- 727
已收入目录
出处
- 维基数据
- 图片： 菲茨威廉博物馆 — William Hogarth · Public domain · Wikimedia Commons
William Hogarth当时的生活
完整生平1712–1764 · 工作地
London
1757
Serjeant Painter to the King
In 1757 George II appointed Hogarth Serjeant Painter to the King, successor to James Thornhill, who had held the post before him.
September – November 1759
Reynolds’s essays against Hogarth
In three essays for the journal “The Idler”, Joshua Reynolds, later the founder of the Royal Academy, was, according to the art historian David Bindman, aiming at Hogarth; in essay no. 79 he questions Hogarth’s notion of the imitation of nature, favouring the “grand style”. Horace Walpole also criticised Hogarth as a history painter, though he found value in his satirical prints.
