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  1. 藏品/
  2. 斯洛伐克國家美術館/
  3. Svadobný sprievod Psyché
Svadobný sprievod Psyché, Max Klinger, 1900–1920
Max Klinger肖像Max Klinger德国, 1857–1920

Svadobný sprievod Psyché

1900–1920 · Print

可否一睹真容?

未知

斯洛伐克國家美術館

布拉迪斯拉发, 斯洛伐克

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1900–1920
18571920

已收入目录

版画印象派现代主义20 世纪

出处

  • 斯洛伐克國家美術館
  • 图片: 斯洛伐克國家美術館 — Public Domain Mark 1.0

与此同时,在Max Klinger的生活中

完整生平
  1. 1898

    Meets Elsa Asenijeff

    He meets the writer and poet Elsa Asenijeff, who becomes his model, muse and girlfriend for fifteen years; they have a daughter in 1900 but never marry.

  2. spring 1902

    Klinger’s Beethoven at the Vienna Secession

    His “Beethoven”, a sculpture of bronze, ivory, alabaster and several marbles, is the centrepiece of the 14th Vienna Secession exhibition, where Klimt’s Beethoven Frieze is visible in an adjoining room and Gustav Mahler is persuaded to transcribe music from the Ninth Symphony for trumpets. The exhibition causes a scandal: the sculpture is dismissed as kitsch and some are offended by a nude Beethoven, while Rodin is reported to have walked past it without comment, later saying it had nothing to do with sculpture.

  3. 1907

    An exhibition of his entire oeuvre in Leipzig

    For the first time all of Klinger’s works are exhibited together at the Leipzig art museum; the same year he visits Paris and Spain again.

  4. 1911

    Leaves Asenijeff for Gertrud Bock

    He leaves Asenijeff, when her mental health begins to deteriorate, for an 18-year-old model, Gertrud Bock (1893–1932), whom he ultimately marries a few months before his death.

  5. 19 October 1919

    A stroke

    He suffers a stroke, after which he moves his studio to Großjena, where he decides to find his last resting place.

  6. 5 July 1920

    Death in Großjena

    He dies in Großjena, where he made his last resting place; another account gives 4 July. His friend, the sculptor Johannes Hartmann, takes a death mask from his face.

Max Klinger的更多作品

全部作品
Evocation (Evocation), Max Klinger

Evocation (Evocation)

未展出 · 国家美术馆

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · 阿姆斯特丹国家博物馆

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstich-Kabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstich-Kabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstich-Kabinett Dresden

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstich-Kabinett Dresden

来自斯洛伐克國家美術館的收藏

博物馆页面
Krst eunucha (Sk 8, 26-39), Rembrandt, 1641

Rembrandt van Rijn

Krst eunucha (Sk 8, 26-39), 1641

Marc Agripe, Rembrandt, 1640–1660

Rembrandt van Rijn

Marc Agripe, 1640–1660

Ukameňovanie svätého Štefana (Sk 7, 55-60), Rembrandt, 1635

Rembrandt van Rijn

Ukameňovanie svätého Štefana (Sk 7, 55-60), 1635

Potulní muzikanti, Rembrandt, 1635–1650

Rembrandt van Rijn

Potulní muzikanti, 1635–1650

Ukrižovanie, Rembrandt, 1625–1645

Rembrandt van Rijn

Ukrižovanie, 1625–1645

Detail podobizne Viliama Burggraeffa, Rembrandt, 17th century

Rembrandt van Rijn

Detail podobizne Viliama Burggraeffa, 17th century

Muž so zlatou helmou, Rembrandt, 20th century

Rembrandt van Rijn

Muž so zlatou helmou, 20th century

Pohľad na baziliku S. Croce in Gerusalemme v Ríme, Giovanni Battista Piranesi, 1765

Giovanni Battista Piranesi

Pohľad na baziliku S. Croce in Gerusalemme v Ríme, 1765