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  1. 藏品/
  2. 国家美术馆/
  3. Sun Rays—Paula, Berlin
Sun Rays—Paula, Berlin, Alfred Stieglitz, 1889, printed 1916
Alfred Stieglitz肖像Alfred Stieglitz美国, 1864–1946

Sun Rays—Paula, Berlin

1889, printed 1916 · Photograph

可否一睹真容?

眼下不见客

国家美术馆

華盛頓哥倫比亞特區, 美國

仍属馆藏,只是目前没有展出。

核实
前天
此状态始于
2026年8月19日
出处
博物馆
在地图上看博物馆页面

作品信息

1889, printed 1916
18641946
馆藏编号
1949.3.57

画面内容

女人视窗Shadow肖像TravelInteriorBerlin書寫

已收入目录

摄影铂金印相印象派19 世纪American

出处

  • 国家美术馆
  • 图片: 国家美术馆 — © the artist or rights holder

与此同时,在Alfred Stieglitz的生活中

完整生平
  1. 1890

    His sister Flora dies; he returns to New York

    In 1890 his sister Flora died in childbirth, and Stieglitz returned to New York. Considering himself an artist, he refused to sell his photographs, so his father bought him a small photography business, the Photochrome Engraving Company, which rarely made a profit because of his demand for quality and the high wages he paid.

  2. 1902

    Founds the Photo-Secession

    In December 1901 Charles DeKay of the National Arts Club invited Stieglitz to put together an exhibition with “full power to follow his own inclinations”. Within two months he had assembled prints from a close circle of friends and, in homage to the Munich photographers, called the group the Photo-Secession, a secession not only from the artistic restrictions of the era but from the official oversight of the Camera Club.

  3. 25 November 1905

    The 291 gallery opens on Fifth Avenue

    On November 25, 1905, the Little Galleries of the Photo-Secession opened at 291 Fifth Avenue with one hundred prints by thirty-nine photographers; Edward Steichen had encouraged Stieglitz to lease the three rooms across from his own apartment. The gallery was an instant success, with almost fifteen thousand visitors in its first season and print sales of nearly $2,800, more than half of them Steichen's work.

  4. 1907

    Paris: Gertrude Stein and a turn to painting

    In Paris in 1907 Stieglitz met Gertrude Stein and was captivated by Rodin, Matisse, Toulouse-Lautrec, Cézanne and Rousseau. He decided to turn his photography gallery into a full art gallery to introduce the conservative American public to the newest European art.

  5. January – May 1916

    Meets Georgia O'Keeffe

    In January 1916 the suffragist Anita Pollitzer showed Stieglitz a set of charcoal drawings by Georgia O'Keeffe, and he decided to exhibit them at 291 without meeting her or asking her permission. In late May O'Keeffe heard of it from a friend and came to the gallery to chastise him, which is how they met; by the summer of 1917 they were writing each other their most private thoughts.

  6. June 1918

    O'Keeffe comes to New York; he leaves his family

    In early June 1918 O'Keeffe moved to New York from Texas after Stieglitz promised her a quiet studio. Within a month his wife Emmy came home during one of the first nude photography sessions in the family apartment and told him to stop seeing O'Keeffe or get out; Stieglitz left and immediately found a place in the city where he and O'Keeffe could live together.

Alfred Stieglitz的更多作品

全部作品
The Hand of Man, Alfred Stieglitz, 1902

The Hand of Man

1902 · 現代藝術博物館

Snapshot—In the New York Central Yards, Alfred Stieglitz, 1903

Snapshot—In the New York Central Yards

1903 · 現代藝術博物館

The Steerage, Alfred Stieglitz, 1907

The Steerage

1907 · 現代藝術博物館

Old and New New York, Alfred Stieglitz, 1910

Old and New New York

1910 · 芝加哥藝術博物館

Washerwomen at Riva del Garda, Alfred Stieglitz, 1887, printed 1929/1934

Washerwomen at Riva del Garda

1887, printed 1929/1934 · 未展出 · 国家美术馆

The Street Paver, Alfred Stieglitz, 1893, printed 1929/1934

The Street Paver

1893, printed 1929/1934 · 未展出 · 国家美术馆

Weary, Alfred Stieglitz, 1890, printed 1929/1934

Weary

1890, printed 1929/1934 · 未展出 · 国家美术馆

Stones of Venice, Chioggia, Alfred Stieglitz, 1887, printed 1929/1934

Stones of Venice, Chioggia

1887, printed 1929/1934 · 未展出 · 国家美术馆

同馆近邻:国家美术馆

博物馆页面
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

吉內薇拉·班琪, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

普羅旺斯的農舍, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888