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  1. 藏品/
  2. 明尼阿波利斯美術館/
  3. Study for The Lapland Witch
Study for The Lapland Witch, George Romney, c. 1775–77
George Romney肖像George Romney英格兰, 1734–1802

Study for The Lapland Witch

c. 1775–77 · Drawing · 49.85 × 30 cm

可否一睹真容?

眼下不见客

明尼阿波利斯美術館

明尼阿波利斯, 美國

仍属馆藏,只是目前没有展出。

核实
9天前
此状态始于
2026年9月25日
出处
博物馆
在地图上看博物馆页面

关于作品

George Romney embraced the “sublime, ” the flip side of the Age of Enlightenment. He was obsessed with the passions, the power of nature, the supernatural—those forces beyond human comprehension and control. In the popular imagination of the 18th century, Lapland was home to witches capable of raising storms and causing shipwrecks, and Romney wanted to capture their magic. His efforts began with fiery sketches like this one.

In 1778, Romney’s friend and biographer William Hayley wrote a verse on the artist’s conjuring of a Lapland witch. Note his comment that the freedom of the artist’s drawing would need to be tempered when it came time to execute the painting.

Round fancy’s circle when thy Pencil flies, With what terrific pomp thy Spectres rise!

What lust of mischief marks thy Witch’s form, While on the Lapland Rock she swells the storm!

继续阅读

Tho’ led by Fancy, thro’ her boundless reign, Well dost thou know to quit her wild domain, When History bids thee paint, severely chaste

Her simpler scene, with uncorrupted taste.

明尼阿波利斯美術館

作品信息

c. 1775–77
17341802
馆藏编号
68.51

已收入目录

素描与水彩钢笔洛可可新古典主义18 世纪英格兰

出处

  • 明尼阿波利斯美術館
  • 图片: 明尼阿波利斯美術館 — public domain

与此同时,在George Romney的生活中

完整生平
  1. c. 1775

    Commissions from the Duke of Richmond and his circle

    Charles Lennox, 3rd Duke of Richmond, and his circle of friends offer Romney commissions, which turn the tide of the artist’s fortunes permanently in his favour.

  2. 1775

    Settles in Cavendish Square

    On his return he takes a house in Cavendish Square, formerly owned by the noted portraitist Francis Cotes, but remains considerably in debt, both his own and that of his brother Peter, an artistic but dissolute man.

  3. 1775

    Returns from Italy to London

    After an absence of over two years he returns to London by way of Florence, Bologna, Venice, Parma and Turin.

  4. 1776–1777

    Friendship with the writer William Hayley

    In 1776–1777 Romney makes the acquaintance of William Hayley and strikes up a lasting friendship with the writer, painting portraits for him.

George Romney的更多作品

全部作品
Lady Elizabeth Stanley (1753–1797), Countess of Derby, George Romney, 1776–78

Lady Elizabeth Stanley (1753–1797), Countess of Derby

1776–78 · 大都會藝術博物館

Miss Juliana Willoughby, George Romney, 1781-1783

Miss Juliana Willoughby

1781-1783 · 国家美术馆

Portrait of Mrs Harrit Greer, George Romney, 1781

Portrait of Mrs Harrit Greer

1781 · 埃尔米塔日博物馆

Mrs. Davies Davenport, George Romney, 1782-1784

Mrs. Davies Davenport

1782-1784 · 国家美术馆

Gestikulierende Frauengestalt, George Romney

Gestikulierende Frauengestalt

阿尔贝蒂娜博物馆

Mrs Johnstone and her Son (?), George Romney, 18th century

Mrs Johnstone and her Son (?)

18th century · 国家美术馆

Tom Hayley as Robin Goodfellow, George Romney, 18th century

Tom Hayley as Robin Goodfellow

18th century · 国家美术馆

Twee vrouwenfiguren tussen bomen, George Romney, 1744 - 1767

Twee vrouwenfiguren tussen bomen

1744 - 1767 · 阿姆斯特丹国家博物馆

同馆近邻:明尼阿波利斯美術館

博物馆页面
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Vincent van Gogh

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Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

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Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

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Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

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The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

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