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  2. 安東·烏爾里希公爵美術館/
  3. Sitzendes Mädchen
Sitzendes Mädchen, Angelica Kauffmann, 1770
Angelica Kauffmann肖像Angelica Kauffmann瑞士, 1741–1807

Sitzendes Mädchen

1770 · Print

可否一睹真容?

未知

安東·烏爾里希公爵美術館

不伦瑞克, 德國

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1770 · 29岁
17411807

画面内容

Eine Frau zeigt sich unbekleidet, (fast) nacktMädchen, junge FrauRockAuf einer Erhebung sitzen (weibliche Figur)MädchenMauerwerkFigure

已收入目录

版画洛可可新古典主义18 世纪

出处

  • 安東·烏爾里希公爵美術館
  • 图片: 安東·烏爾里希公爵美術館 — CC BY-NC-SA 4.0

与此同时,在Angelica Kauffmann的生活中

完整生平
  1. 1768

    Two pictures at the Society of Artists exhibition

    In 1768, at the exhibition of the Society of Artists in London, Kauffman showed “Hector Taking Leave of Andromache” and “Penelope Taking Down the Bow of Odysseus”.

  2. December 1768

    Founding member of the Royal Academy of Arts

    In December 1768 Kauffman became one of the founding members of the Royal Academy of Arts in London, one of only two women among them.

  3. 1769

    Three pictures at the Royal Academy exhibition

    At the Academy’s exhibition of 1769 Kauffman showed “Hector Taking Leave of Andromache”, “Venus Directing Aeneas and Achates to Carthage” and “Achilles Discovered by Ulysses among the Daughters of Lycomedes”; all three were bought by the patroness Theresa Parker.

  4. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  5. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  6. 1771

    Several months in Ireland

    In 1771 Kauffman spent several months in Ireland as a guest of the Lord Lieutenant, Viscount Townshend, and carried out a number of portrait commissions there; her Irish sitters included Philip Tisdall, the Attorney General for Ireland, and his wife Mary, who became her patron, and Henry Loftus, 1st Earl of Ely, with his family.

Angelica Kauffmann的更多作品

全部作品
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · 埃尔米塔日博物馆

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · 大都會藝術博物館

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · 大都會藝術博物館

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · 大都會藝術博物館

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · 大都會藝術博物館

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · 大都會藝術博物館

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · 大都會藝術博物館

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · 维多利亚和阿尔伯特博物馆