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  3. Self-Portrait
Self-Portrait, Vincent van Gogh, 1887
Vincent van Gogh肖像Vincent van Gogh荷兰, 1853–1890

Self-Portrait

1887 · Painting · 33 × 41 cm

作品信息

1887 · 34岁
18531890
馆藏编号
s0065V1962

与此同时,在Vincent van Gogh的生活中

完整生平
  1. February 1886

    Moves to Paris to join his brother Theo

    Van Gogh left Antwerp to join his brother Theo, an art dealer, in Paris. So began a very fruitful and eventful Paris period: he painted some two hundred and thirty pictures there, more than anywhere else.

  2. November 1887

    Friendship with Paul Gauguin

    Theo and Vincent befriended Paul Gauguin, who had just arrived in Paris.

  3. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  4. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  5. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

Vincent van Gogh的更多作品

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来自梵高博物馆的收藏

博物馆页面
  • May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  • 可否一睹真容?

    未知

    梵高博物馆

    阿姆斯特丹, 荷蘭

    所有者已知,目前是否展出尚不清楚。

    此状态始于
    2026年9月29日
    出处
    博物馆
    在地图上看博物馆页面

    已收入目录

    绘画荷兰绘画印象派19 世纪

    出处

    • 维基数据
    • 图片: 梵高博物馆 — Vincent van Gogh · Public domain · Wikimedia Commons
    Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

    Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

    1887 · 大都會藝術博物館

    Self-portrait, Vincent van Gogh, 1887

    Self-portrait

    1887 · 阿姆斯特丹国家博物馆

    Madame Roulin and Her Baby, Vincent van Gogh, 1888

    Madame Roulin and Her Baby

    1888 · 大都會藝術博物館

    Wheat Field with Cypresses, Vincent van Gogh, 1889

    Wheat Field with Cypresses

    1889 · 大都會藝術博物館

    Olive Trees, Vincent van Gogh, 1889

    Olive Trees

    1889 · 明尼阿波利斯美術館

    Irises, Vincent van Gogh, 1890

    Irises

    1890 · 大都會藝術博物館

    Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

    Het Singel bij de Lutherse Kerk te Amsterdam

    1885 · 阿姆斯特丹国家博物馆

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

    The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

    1885 · 大都會藝術博物館

    La Corniche near Monaco, Claude Monet, 1884

    Claude Monet

    La Corniche bij Monaco, 1884

    Reminiscence of Brabant, Vincent van Gogh, 1890

    Vincent van Gogh

    Reminiscence of Brabant, 1890

    Ears of Wheat, Vincent van Gogh, 1890

    Vincent van Gogh

    Ears of Wheat, 1890

    Tree Roots, Vincent van Gogh, 1890

    Vincent van Gogh

    樹根, 1890

    Farmhouse, Vincent van Gogh, 1890

    Vincent van Gogh

    Farmhouse, 1890

    Garden with Butterflies, Vincent van Gogh, 1890

    Vincent van Gogh

    Garden with Butterflies, 1890

    Landscape with Cottages, Vincent van Gogh, 1890

    Vincent van Gogh

    Landscape with Cottages, 1890

    Landscape at Twilight, Vincent van Gogh, 1890

    Vincent van Gogh

    Landscape at Twilight, 1890