可否一睹真容?
華盛頓哥倫比亞特區, 美國
归属已知。今日是否在展,馆方并未说明,而我们不敢妄加揣测。
In Self-Portrait, Malvin Gray Johnson addresses the viewer with hat in hand and a somber gaze. By placing his painting Negro Masks (1932) in the background, Johnson presents his own face as a mask among others. Collapsing foreground and background, he uses modernist techniques to assert his identity as a modernist painter.
史密森尼美國藝術博物館