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  1. 藏品/
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  3. Selbstbildnis
Selbstbildnis, Egon Schiele, 1906
Egon Schiele肖像Egon Schiele奥地利, 1890–1918

Selbstbildnis

1906 · Drawing

可否一睹真容?

未知

阿尔贝蒂娜博物馆

維也納, 奧地利

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1906 · 16岁
18901918

已收入目录

素描与水彩现代主义20 世纪

出处

  • 阿尔贝蒂娜博物馆
  • 图片: 阿尔贝蒂娜博物馆 — Public Domain Mark 1.0

与此同时,在Egon Schiele的生活中

完整生平
  1. c. 1905

    His father’s death and the family’s ruin

    When Schiele was 14 his father died of syphilis, and the family, which had been fairly wealthy, was left impoverished: before his death the father, in a fit of insanity, had burned the railway stocks that would have supported them. His elder sister Melanie, hired as a ticket clerk at the local station, became the sole breadwinner.

  2. after 1905

    His uncle Czihaczek’s guardianship and the tutor Strauch

    Schiele and his sister Gerti became wards of Leopold Czihaczek, the husband of their aunt and also a railway official: he wanted his nephew to follow in his footsteps but, recognising Schiele’s talent for drawing, allowed him a tutor, the artist Ludwig Karl Strauch. Later the uncle renounced his guardianship and Schiele depended on his mother’s support until it was cut off because his sister Melanie objected to the expense, which caused a rift in the family.

  3. 1906

    The School of Arts and Crafts, then the Academy

    In 1906 Schiele entered the Kunstgewerbeschule (School of Arts and Crafts) in Vienna, where Gustav Klimt had once studied, and tried his hand at sculpture, making small clay and plaster pieces; within his first year, at the insistence of several faculty members, he was sent to the more traditional Academy of Fine Arts.

  4. 1906–1909

    The Academy: the strict Griepenkerl

    Schiele’s main teacher at the Academy was Christian Griepenkerl, a painter whose strict doctrine and ultra-conservative style frustrated and dissatisfied Schiele so much that he left after three years.

  5. 1907

    Gustav Klimt: mentor and patron

    In 1907 Schiele sought out Gustav Klimt, who generously mentored younger artists: Klimt bought his drawings, offered to exchange them for some of his own, arranged models for him and introduced him to potential patrons and to the Wiener Werkstätte. Schiele’s earliest works of 1907–1909 show strong similarities with Klimt’s, as well as influences from Art Nouveau.

  6. 1908

    The first exhibition, in Klosterneuburg

    In 1908 Schiele’s first exhibition took place in the town of Klosterneuburg near Vienna, where he had earlier attended school.

Egon Schiele的更多作品

全部作品
Portrait of Albert Paris von Gütersloh, Egon Schiele, 1918

Portrait of Albert Paris von Gütersloh

1918 · 明尼阿波利斯美術館

Head of a Woman, Egon Schiele, 1908

Head of a Woman

1908 · 未展出 · 国家美术馆

Portrait of Gerti Schiele, Egon Schiele, 1909

Portrait of Gerti Schiele

1909 · 未展出 · 現代藝術博物館

Standing Male Nude with Arm Raised, Back View, Egon Schiele, 1910

Standing Male Nude with Arm Raised, Back View

1910 · 未展出 · 現代藝術博物館

Standing Girl Wrapped in Blanket, Egon Schiele, 1911

Standing Girl Wrapped in Blanket

1911 · 未展出 · 現代藝術博物館

Girl with Black Hair (Mädchen mit schwarzem Haar), Egon Schiele, 1911

Girl with Black Hair (Mädchen mit schwarzem Haar)

1911 · 未展出 · 現代藝術博物館

Self-Portrait, Egon Schiele, 1912

Self-Portrait

1912 · 未展出 · 国家美术馆

Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar), Egon Schiele, 1912

Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar)

1912 · 未展出 · 現代藝術博物館

来自阿尔贝蒂娜博物馆的收藏

博物馆页面
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi