ART WIKI
Seated Virgin, Unidentified Artist, 17th century

Unidentified Artist

Seated Virgin

17th century · Sculpture

能看到吗？

是，正在展出

《Seated Virgin》现在在哪里？ 哈佛藝術博物館, Gallery 2440, floor 2, Medieval Art, 剑桥. 是，正在展出. 核实 2026年9月29日.

哈佛藝術博物館

剑桥, 美國

展厅2440, floor 2, Medieval Art

正对公众展出。

核实
此状态始于
出处
博物馆
在地图上看博物馆页面

关于这件雕塑

In the 14th century, the practice of private devotion was encouraged by Devotio Moderna, a religious movement that arose in present-day Belgium, Germany, and the Netherlands. The widely read De Imitatione Christi (The Imitation of Christ), by the German-born Dutch canon Thomas à Kempis, offered instructions for developing a spiritual life anchored on one’s personal relationship with God. Devotional practice was thus no longer confined to the liturgy but was supplemented with private prayer. To facilitate such practice, prayer books, small diptychs, and statuettes of the Virgin and Child and the crucified Christ were frequently produced in various corners of Europe. As private devotion remained a crucial component of Christian spirituality, objects such as the ones displayed here were produced even through the 20th century.

继续阅读

The ivory statuettes displayed here were made in Europe from African elephant tusks.They evince the enduring tradition of using ivory carvings for private devotion that can be traced to the late Middle Ages. Delicate, warm, and soft to the touch, ivory statuettes of the crucified Christ and the Virgin and Child remained coveted objects in the 17th and 18th centuries. Probably made in Spain during the 17th century, the highly detailed statuette of the crucified Christ dramatically presents the figure in a state of intense pain and suffering through the pronounced neck muscles, the deep incisions in his upward directed pupils, and wide open mouth. Designed to evoke a celestial dimension, the fragment of the Virgin would have originally been joined to a figure of the Christ Child on a cloud. Ivory carvings of this motif were adaptations of contemporaneous painting in northern Italy.

[group label: 1983.32, 1922.79]

哈佛藝術博物館

作品信息

馆藏编号
1922.79

已收入目录

雕塑象牙巴洛克17 世纪意大利

出处

同一展厅 · Gallery 2440, floor 2, Medieval Art, 哈佛藝術博物館

博物馆页面
Crucified Christ, Unidentified Artist, 17th century

Unidentified Artist

Crucified Christ, 17th century

Way to Calvary, Unidentified Artist, 16th century

Unidentified Artist

Way to Calvary, 16th century

Saint John the Baptist and Saint Barbara, Lluís Borrassà, c. 1411-1413

Lluís Borrassà

Saint John the Baptist and Saint Barbara, c. 1411-1413

Saint Christopher, Master of Saint Ildefonso, 15th century

Master of Saint Ildefonso

Saint Christopher, 15th century

Portable Cross; obverse: Crucified Christ with Virgin, Saints John the Evangelist and Francis; reverse: Crucified Christ with Saints Michael, Paul, Peter, and Louis of Toulouse, Luca di Tommè, c. 1365

Luca di Tommè

Portable Cross; obverse: Crucified Christ with Virgin, Saints John the Evangelist and Francis; reverse: Crucified Christ with Saints Michael, Paul, Peter, and Louis of Toulouse, c. 1365

The Virgin and Child, Unidentified Artist, c. 1350-1360

Unidentified Artist

The Virgin and Child, c. 1350-1360

The Virgin and Child Enthroned; Christ on the Cross between the Virgin and Saint John the Evangelist, Master of Offida, c. 1350

Master of Offida

The Virgin and Child Enthroned; Christ on the Cross between the Virgin and Saint John the Evangelist, c. 1350

Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and Margaret of Antioch, Saints James Major and Benedict, Bernardo Daddi, 1334

Bernardo Daddi

Christ on the Cross between the Virgin and Saints Mary Magdalene and John the Evangelist; left panel: The Agony in the Garden and Saints Peter and Paul; right panel: Saints Catherine of Alexandria and Margaret of Antioch, Saints James Major and Benedict, 1334