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  1. 藏品/
  2. 明尼阿波利斯美術館/
  3. Seated Jina
Seated Jina, or India, c. 1108
Oor India印度

Seated Jina

c. 1108 · Sculpture

可否一睹真容?

可以,正在迎客

明尼阿波利斯美術館

明尼阿波利斯, 美國

展厅G211

正对公众展出。由谁担保,见下文。

核实
3天前
此状态始于
2026年9月25日
出处
博物馆
在地图上看博物馆页面

关于这件雕塑

In Hinduism (Brahmanism), sculpture serves as a vessel for the divine spirit. In Jainism, sculptures like this one are inanimate and, instead, embody a model of behavior as perfected by the Jina. The Jina (perfected being) is a spiritual victor who has gained release from the world by abiding to strict principles of nonviolence and the abandonment of material possessions. Even physical or mental action is considered a form of material attachment. The Jina, of which there have only been 24 (the last being Jina Mahavira, founder of the Jain faith in the 500s bce), has arrived at the indestructible, immortal, and all-knowing inner soul. This ideal is expressed in the figure’s perfect stillness.

继续阅读

A Sanskrit inscription on the cushion names the sculpture’s patron—“Jakula, son of Avasara in the pragvata lineage”—and dates its dedication, when it would have likely joined a row of such images at a Jain temple. Because few devotees can fully abandon the responsibilities of everyday life, such acts of philanthropy are believed to push the soul slowly forward along the path to perfection.

明尼阿波利斯美術館

作品信息

馆藏编号
98.211

同一展厅 · G211, 明尼阿波利斯美術館

博物馆页面

已收入目录

雕塑石中世纪1400 年以前印度

出处

  • 明尼阿波利斯美術館
  • 图片: 明尼阿波利斯美術館 — public domain
Brahminy Starling with Two Antheraea Moths, Caterpillar, and Cocoon on Indian Jujube Tree, Sheikh Zain al-Din, 1777

Sheikh Zain al-Din

Brahminy Starling with Two Antheraea Moths, Caterpillar, and Cocoon on Indian Jujube Tree, 1777

Krishna and Radha Sheltering from the Rain, Nurpur workshop, c. 1760

Nurpur workshop

Krishna and Radha Sheltering from the Rain, c. 1760

The Cosmic Form of Krishna, c. 1750–75

The Cosmic Form of Krishna, c. 1750–75

Folio from the Shangri Ramayana (Style IV): Rama, Sita, and Lakshmana Arriving at the Hermitage of Sage Agastya, Kulu or Mandi workshop, c. 1730

Kulu or Mandi workshop

Folio from the Shangri Ramayana (Style IV): Rama, Sita, and Lakshmana Arriving at the Hermitage of Sage Agastya, c. 1730

Illustration to the Shangri Ramayana (Style III): Rama and Lakshmana Arriving at the Rishyamukha Hill, Kulu or Mandi workshop, c. 1700

Kulu or Mandi workshop

Illustration to the Shangri Ramayana (Style III): Rama and Lakshmana Arriving at the Rishyamukha Hill, c. 1700

Jali (window screen), c. 1600–20

Jali (window screen), c. 1600–20

Shiva Nataraja (Lord of the Dance), c. 1100

Shiva Nataraja (Lord of the Dance), c. 1100

Uma-Maheshvara, 10th–11th century

Uma-Maheshvara, 10th–11th century