Satyress, Giovanni Maria Mosca, c. 1525–1528
Giovanni Maria Mosca意大利, 1493–1574

Satyress

c. 1525–1528 · Sculpture

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《Satyress》现在在哪里? 克利夫蘭藝術博物館, 117A Italian Renaissance, 克利夫兰. 是,正在展出. 核实 2026年9月29日.

克利夫蘭藝術博物館

克利夫兰, 美國

展厅117A Italian Renaissance

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In antiquity, satyrs were lustful woodland deities who delighted in wine and revelry. Renaissance artists adopted them as symbols of vice and carnal love; the female satyr, or satyress, on this bronze plaquette, recently reattributed from Riccio to Mosca, was probably derived from a copper engraving of a Roman sarcophagus by Marcantonio Raimondi (c. 1470/82-1527/34). Both the sarcophagus and subsequent engraving depicted a bacchanalia, or scene of orgiastic carousal; the peculiar objects surrounding the satyress have been added by the artist, possibly in an effort to remove the figure from her lewd original composition and give a more refined meaning. The satyress rests her right hoof upon a plumed helmet. A coiled shape, possibly a snake, winds out of the helmet. To her left, a laurel tree stands with only half of its branches in bloom.

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Two severed animal legs are tied around its trunk and an illegible plaque hangs from one of its branches. A lyre, a pan pipe, an animal jawbone and a bow are gathered at the base of the tree. The highly allegorical nature of the work uses obscure symbols, rather than a distinct narrative, to convey meaning and could possibly be read as an allegory of physical pleasure overcoming virtue.

克利夫蘭藝術博物館

作品信息

馆藏编号
1947.29

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出处

Giovanni Maria Mosca当时的生活

完整生平
  1. 1515–1530 · 工作地

    Padua

  2. 1515–1530 · 工作地

    Venice

  3. 1530–1553 · 工作地

    Kraków

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