Alphonse Mucha捷克, 1860–1939Sarah Bernhardt dans "Lorenzaccio"
能看到吗？
不明
《Sarah Bernhardt dans "Lorenzaccio"》现在在哪里？ 收藏方: 让·谷克多博物馆, 芒通. 不明.
芒通, 法國
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
作品信息
- 馆藏编号
- 2005.1.1285
已收入目录
出处
- 让·谷克多博物馆
- 图片： 让·谷克多博物馆 — © Serge Caussé; Ministère de la Culture (France), base Joconde
Alphonse Mucha当时的生活
完整生平autumn 1894
Friendship with August Strindberg
In late autumn 1894 he became friends with the playwright August Strindberg, with whom he shared interests in philosophy and mysticism.
1894
First official recognition at the 1894 Salon
Four of his illustrations for Seignobos’s book, including one depicting the death of Frederick Barbarossa, were chosen for display at the 1894 Paris Salon of Artists; he received a medal of honour, his first official recognition.
26 December 1894
Sarah Bernhardt orders the poster for “Gismonda”
Bernhardt telephoned Maurice de Brunhoff of the publishing firm Lemercier, ordering a poster for the continued run of Sardou’s “Gismonda” by 1 January 1895; because of the holidays none of the regular Lemercier artists was available, and Mucha, who happened to be at the firm correcting proofs, took the job.
1 January 1895
The “Gismonda” poster appears on the streets of Paris
The poster, a little over two metres high, with Bernhardt as a Byzantine noblewoman under a rainbow-shaped arch almost like a halo, appeared on the streets of Paris on 1 January 1895 and caused an immediate sensation; Bernhardt ordered four thousand copies in 1895 and 1896 and gave Mucha a six-year contract.
after 1 January 1895
A contract with the printer Champenois and a new studio
Bernhardt switched to a different printer, F. Champenois, who, like Mucha, was put under a six-year contract to work for her and gave Mucha a generous monthly salary in exchange for the rights to publish all his works. With the extra income Mucha moved to a three-bedroom apartment with a large studio in a historic house at 6 Rue du Val-de-Grâce.
1897
Retrospective at the Salon des Cent: 448 works
Léon Deschamps, the editor of La Plume, invited him to show at the Salon des Cent in 1896, and in 1897 the same gallery gave him a major retrospective of 448 works; the magazine La Plume devoted a special issue to him, and the exhibition travelled to Vienna, Prague, Munich, Brussels, London and New York, giving him an international reputation.
