Rose Bather, Félix Edouard Vallotton, c. 1893
Félix Edouard Vallotton肖像Félix Edouard Vallotton法国, 1865–1925

Rose Bather

c. 1893 · Painting · 24 × 18.8 cm

能看到吗?

不明

《Rose Bather》现在在哪里? 收藏方: 奥赛博物馆, 巴黎. 不明.

奥赛博物馆

巴黎, 法國

所有者已知,目前是否展出尚不清楚。

此状态始于
出处
博物馆
嵌入

作品信息

馆藏编号
RF MO P 2016 10

已收入目录

出处

  • 维基数据
  • 图片: 奥赛博物馆 — Félix Vallotton · Public domain · Wikimedia Commons

Félix Edouard Vallotton当时的生活

完整生平
  1. 1889–1903 · 入会

    Les Nabis

  2. 1890–1897

    Art critic for the Gazette de Lausanne

    To earn a living Vallotton restored paintings for the dealer Henri Haro, and from 1890 he wrote for the Swiss Gazette de Lausanne — some thirty articles on the Paris art world up to 1897.

  3. 1891

    Leaves the Salon for the Indépendants

    Showing at the official Salon des Artistes for the last time, Vallotton exhibited six paintings at the avant-garde Salon des Indépendants for the first time. Commissions from Swiss patrons began to arrive at the same time.

  4. 1892

    “The Foreign Nabi” and friendship with Vuillard

    Among the Nabis — Bonnard, Roussel, Maurice Denis — Vallotton found a lifelong friend in Édouard Vuillard; he kept a little apart from the others, earning the jocular title of “the Foreign Nabi”.

  5. 1893–1897

    Woodcuts for La Revue Blanche; the Natansons' patronage

    His woodcuts brought Vallotton clients and financial security: he illustrated leading French periodicals, including La Revue Blanche, and foreign ones such as The Chap-Book of Chicago, and cut covers for theatre programmes and book illustrations. Thadée Natanson, publisher of La Revue Blanche, and his wife Misia became his patrons and introduced him to the Paris avant-garde elite — Mallarmé, Proust, Satie and Debussy.

全部作品

来自奥赛博物馆的收藏

博物馆页面