Viktor Vasnetsov1848–1926Река Вятка
能看到吗？
不明
《Река Вятка》现在在哪里？ 收藏方: Ryazan Oblast State Art Museum named after I.P. Pojalostin, 梁赞. 不明.
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
关于这幅画
博物馆的介绍 — 俄语
Изображение реки среди лугов. На втором плане пашня, далее луг со стадом и лес.
Ryazan Oblast State Art Museum named after I.P. Pojalostin
作品信息
- 馆藏编号
- Ж-751
已收入目录
出处
- 俄罗斯博物馆藏品国家目录
- 图片： Ryazan Oblast State Art Museum named after I.P. Pojalostin — © Рязанский государственный областной художественный музей им. И. П. Пожалостина · Госкаталог музейного фонда РФ
Viktor Vasnetsov当时的生活
完整生平1873–1875
He leaves the Academy before graduating
In 1873, a year before the end of the course, he almost stopped attending the Academy and went only to Chistyakov’s studio: Chistyakov told him he had already got from the Academy all it could give, and Kramskoi advised the same; on 4 (16) February 1875 he was formally discharged, receiving a certificate that listed two small silver medals and one large one.
1876–1877
Mamontov’s letter, homesickness and the first sketch for the “Bogatyrs”
In Polenov’s Paris studio he and Repin re-read a letter from Savva Mamontov calling the artists to Moscow; the letter sharpened his homesickness (“Alone, alone and alone!”), and it was there that the first painted sketch of the “Bogatyrs” was made.
1877
Wedding to Alexandra Ryazantseva
Before leaving for Paris he had proposed to Ryazantseva; the wedding took place in November 1877 in the Church of Saints Peter and Paul of the Semyonovsky-Alexandrovsky military hospital in St Petersburg.
1878
He moves to Moscow, the city of his life’s work
In 1878, his resolve strengthened by Mamontov’s letter, he moved to Moscow, the city to which most of his creative life would be tied: he settled in a small flat in 3rd Ushakovsky Lane near Ostozhenka, walked the city for hours admiring the Kremlin and St Basil’s, and until 1885 the family changed rented flats in Moscow six times.
1878–1880
Mamontov’s commission for the Donetsk Railway
Repin brought him to the house of Savva Mamontov, who commissioned three fairy-tale pictures for the boardroom of the Donetsk Railway — “The Battle of the Russians with the Scythians”, “The Flying Carpet” and “The Three Princesses of the Underground Kingdom” (the princesses of gold, precious stones and coal); the princess Coal, a modest dark-haired girl in a black dress, was especially successful.
1880
His first visit to Mamontov’s Abramtsevo
In June 1880, with his brother Apollinary, he first came to Abramtsevo at Savva Mamontov’s invitation and joined the circle of Repin, Polenov, Serov and other artists, where he became one of the leaders of the national-romantic current.
