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  3. Rearing Stallion
Rearing Stallion, Alexander Calder, c. 1928
Alexander Calder肖像Alexander Calder美国, 1898–1976

Rearing Stallion

c. 1928 · Sculpture

可否一睹真容?

可以,正在迎客

国家美术馆

華盛頓哥倫比亞特區, 美國

展厅展厅 606 · 东馆, 塔楼

正对公众展出。由谁担保,见下文。

核实
3天前
此状态始于
2026年8月19日
出处
博物馆
在地图上看博物馆页面

作品信息

c. 1928
18981976
馆藏编号
1996.120.22

与此同时,在Alexander Calder的生活中

完整生平
  1. July 1926

    To Paris as a crew member of the cargo steamer Galileo

    In July 1926 Calder sets out for Paris as a crew member of the British cargo steamship Galileo as far as Hull, continuing by train and boat. In Paris he enrols at the Académie de la Grande Chaumière and sets up a studio at 22 rue Daguerre in Montparnasse, later moving to 7 villa Brune in the same district.

  2. 1927

    His first solo exhibition, in Paris

    Calder’s first solo exhibition takes place in 1927 at the gallery of Jacques Seligmann in Paris.

  3. 1927

    Among the Parisian avant-garde

    In 1927 Calder settles in Paris and grows close to the avant-garde, including Cocteau, Man Ray, Mondrian, Desnos and Le Corbusier; he befriends Fernand Léger, Jean Arp and Marcel Duchamp, and Joan Miró becomes a friend for life.

  4. 1929

    A show of wire sculptures at Galerie Billiet

    Calder invented wire sculpture, or “drawing in space”, and in 1929 he holds in Paris, at Galerie Billiet, his first solo show of such works; the preface to the catalogue is written by the painter Jules Pascin, a friend from the Montparnasse cafés. “Hi!”, an early example of his wire sculpture, is in the collection of the Honolulu Museum of Art.

  5. June 1929

    Meets Louisa James on a steamship

    In June 1929, travelling by boat from Paris to New York, Calder meets his future wife, Louisa James (1905–1996), a daughter of Edward Holton James and grandniece of the author Henry James and the philosopher William James. They will marry in 1931 and stay together for the rest of his life; they will have two daughters.

Alexander Calder的更多作品

全部作品

同一展厅 · ET-606, 国家美术馆

博物馆页面

同一主题 · Mammal

该主题的全部作品
  • 1930

    In Mondrian’s studio: the shock of abstraction

    A visit to Piet Mondrian’s studio in 1930, with its environment-as-installation, “shocks” Calder into fully embracing abstract art, toward which he had already been tending. He abandons the static quality of Mondrian’s Neo-Plasticism and sets himself the task of creating dynamic systems that reflect the continuous changeability of nature; another stimulus toward kinetic art was a planetarium that showed the movements of celestial bodies.

  • 画面内容

    Mammal马Stallion

    已收入目录

    雕塑木现代主义20 世纪American

    出处

    • 国家美术馆
    • 图片: 国家美术馆 — © the artist or rights holder
    Sow, Alexander Calder, 1928

    Sow

    1928 · 現代藝術博物館

    Cow, Alexander Calder, 1929

    Cow

    1929 · 国家美术馆

    The Acrobats, Alexander Calder, 1929

    The Acrobats

    1929 · 国家美术馆

    Cow, Alexander Calder, 1929

    Cow

    1929 · 現代藝術博物館

    Ruby-Eyed, Alexander Calder, 1936

    Ruby-Eyed

    1936 · 国家美术馆

    Gibraltar, Alexander Calder, 1936

    Gibraltar

    1936 · 現代藝術博物館

    Untitled (The McCausland Mobile), Alexander Calder, 1937

    Untitled (The McCausland Mobile)

    1937 · 国家美术馆

    Spider, Alexander Calder, 1939

    Spider

    1939 · 現代藝術博物館

    Flight of the Dragonfly in Front of the Sun, Joan Miró, 1968

    Joan Miró

    Flight of the Dragonfly in Front of the Sun, 1968

    Model for East Building Mobile, Alexander Calder, 1972

    Alexander Calder

    Model for East Building Mobile, 1972

    Black Camel with Blue Head and Red Tongue, Alexander Calder, 1971

    Alexander Calder

    Black Camel with Blue Head and Red Tongue, 1971

    Crinkly Worm, Alexander Calder, 1971

    Alexander Calder

    Crinkly Worm, 1971

    Blue Elephant with Red Ears, Alexander Calder, 1971

    Alexander Calder

    Blue Elephant with Red Ears, 1971

    Red and Yellow Bull with Blue Head, Alexander Calder, 1971

    Alexander Calder

    Red and Yellow Bull with Blue Head, 1971

    Red Cow with Black Head, Alexander Calder, 1971

    Alexander Calder

    Red Cow with Black Head, 1971

    La vache, Alexander Calder, 1970

    Alexander Calder

    La vache, 1970

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906

    Pablo Picasso

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906

    未展出 · 国家美术馆

    Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), Pablo Picasso, 1933

    Pablo Picasso

    Sculptor and Model with a Sculpture Representing a Bull Attacking Horses (Sculpteur et son modèle avec un groupe sculpté représentant un taureau attaquant des chevaux), 1933

    未展出 · 国家美术馆

    Man with a Dog (L'homme au chien), Pablo Picasso, 1915, reprinted c. 1947

    Pablo Picasso

    Man with a Dog (L'homme au chien), 1915, reprinted c. 1947

    未展出 · 国家美术馆

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], Pablo Picasso, 1906, published 1913

    Pablo Picasso

    The Watering Place (Horses Bathing) [L'abreuvoir (chevaux au bain)], 1906, published 1913

    未展出 · 国家美术馆

    L'Ane (The Donkey), Pablo Picasso, 1941/1942

    Pablo Picasso

    L'Ane (The Donkey), 1941/1942

    未展出 · 国家美术馆

    Sculptor at Rest III (Le repos du sculpteur III), Pablo Picasso, 1933

    Pablo Picasso

    Sculptor at Rest III (Le repos du sculpteur III), 1933

    未展出 · 国家美术馆

    Family of Acrobats with Macaque (La famille de saltimbanques au macaque), Pablo Picasso, 1905

    Pablo Picasso

    Family of Acrobats with Macaque (La famille de saltimbanques au macaque), 1905

    未展出 · 国家美术馆

    Pique I, Pablo Picasso, 1959

    Pablo Picasso

    Pique I, 1959

    未展出 · 国家美术馆