Jean-Baptiste Carpeaux法国, 1827–1875Рабыня
可否一睹真容？
未知：馆方守口如瓶
Chuvashian State Arts Museum
Cheboksary, 俄罗斯
归属已知。今日是否在展，馆方并未说明，而我们不敢妄加揣测。
- 此状态始于
- 出处
- 博物馆自己的馆藏数据
关于这件雕塑
博物馆的介绍 — 俄语
Плечи в 3/4 оборота вправо. Грудь обнажена. Под грудью драпировка. Плечи и грудь перетянуты веревкой. Густые взлохмаченные коротко остриженные волосы разделены на прямой пробор. Глаза смотрят вверх вправо. На плите впереди: "Рoupauoi maitre sojaue".
Chuvashian State Arts Museum
作品信息
- 馆藏编号
- С 11
已收入目录
出处
- 俄罗斯博物馆藏品国家目录 · 8天前获取
- 图片： Chuvashian State Arts Museum — © Чувашский государственный художественный музей · Госкаталог музейного фонда РФ
与此同时，在Jean-Baptiste Carpeaux的生活中
完整生平1856–1859 · 求学
French Academy in Rome
1856–1861
Rome: Michelangelo and street sketches
From January 1856 he lives at the Villa Medici and studies Donatello, Verrocchio, Raphael and Michelangelo; tired of academicism, he wanders the streets of Rome sketching and looking for living subjects — perhaps it is then that he resolves to make the ordinary life of people, their festivals and pastimes, the main subject of his art. Michelangelo remains his sun: when an artist feels pale and cold, he said, he should run to Michelangelo to warm himself.
1862
Returns to Paris and is presented at court
Back in Paris, he is presented to the imperial court by his friend and patron Eugène d’Alvin de Piennes, soon to become the Empress’s chamberlain, and becomes a sought-after portraitist, though he was never a court official. An admirer of Napoleon III, Carpeaux also contrived a face-to-face meeting with the emperor at Amiens, where he persuaded him to commission a marble statue.
