Gian Lorenzo Bernini肖像Gian Lorenzo Bernini意大利, 1598–1680

Portrait d'un artiste

1625-1630,1645 vers · Painting · 38.5 × 31 cm

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作品信息

馆藏编号
1938 E 100

画面内容

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出处

  • 瑪格寧博物館
  • 图片: 瑪格寧博物館 — © GrandPalaisRmn (musée Magnin) / Michel Urtado; Ministère de la Culture (France), base Joconde

Gian Lorenzo Bernini当时的生活

完整生平
  1. 1606–1642 · 居住

    House of Pietro and Gianlorenzo Bernini (Rome)

  2. 1623

    Urban VIII becomes pope: the Barberini years

    Bernini's old friend and former tutor Cardinal Maffeo Barberini became Pope Urban VIII and, until his death in 1644, gave the artist near-monopolistic patronage; Bernini was made curator of the papal art collection, director of the papal foundry at Castel Sant'Angelo and commissioner of the fountains of Piazza Navona.

  3. 1629

    Appointed Architect of St Peter's

    On the death of Carlo Maderno, Bernini, with virtually no architectural training, was appointed Architect of St Peter's, to the great protest of older, experienced masters; from then on his work stood at the symbolic heart of Rome.

  4. 1639

    An arranged marriage at Urban's command

    In May 1639 Bernini married the twenty-two-year-old Roman Caterina Tezio in an arranged marriage under orders from Pope Urban. They had eleven children, among them Domenico, who became his father's first biographer; afterwards, according to his early biographers, Bernini turned more sincerely to the practice of his faith.

  5. 1644

    Urban VIII dies; disgrace under Innocent X

    With the accession of Innocent X of the Barberini-hostile Pamphilj family, Bernini's career suffered an unprecedented four-year eclipse, partly because of the bell-tower affair; the pope nonetheless kept him in all his official roles, including Architect of St Peter's, and let him continue Urban VIII's tomb.

  6. 1646

    The bell towers of St Peter's are demolished

    Bernini's opponents, above all Borromini, persuaded Innocent X to order both towers demolished, to Bernini's great humiliation and a substantial fine. Investigations showed that the cracks came from Maderno's defective foundations rather than from Bernini's design.

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