Adam Elsheimer德国, 1578–1610Пейзаж
可否一睹真容？
未知
加特契纳, 俄罗斯
所有者已知，目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
关于这幅画
博物馆的介绍 — 俄语
Изображен ночной пейзаж с архитектурными сооружениями. Слева угол здания, к которому примыкает аркада. Сверху здание и аркада обвиты зеленью. Справа - угол здания, перед которым на постаменте стоит большая ваза. В центре на переднем плане изображена женщина, которую за руку ведет мальчик, держащий факел. В правом верхнем углу видна луна.
Gatchina Museum-Preserve
作品信息
- 馆藏编号
- ГДМ-54-III
已收入目录
出处
- 俄罗斯博物馆藏品国家目录
- 图片： Gatchina Museum-Preserve — © Гатчина · Госкаталог музейного фонда РФ
与此同时，在Adam Elsheimer的生活中
完整生平1578年3月18日
Born
18 March 1578
A master tailor’s family in Frankfurt
Born in Frankfurt am Main, one of ten children of a master tailor. His father’s house stood a few metres from the church where Dürer’s Heller Altarpiece was then displayed, and survived until it was destroyed by Allied bombs in 1944.
1598
Sets out for Italy via Munich
At twenty he travelled to Italy, and he is documented in Munich in 1598. His teacher Philipp Uffenbach specialised in large altarpieces, whereas Elsheimer’s earliest small paintings on copper seem to date from before he reached Italy.
early 1600
Arrives in Rome
He arrives in Rome in early 1600. His stay in Venice is undocumented, but its influence on his style is clear: he is believed to have painted “The Baptism of Christ” (London) and “The Holy Family” (Berlin) there, which show the influence of Tintoretto, Veronese and Rottenhammer.
1600
Befriends Faber and Bril in Rome
Soon after arriving he befriends contacts of Rottenhammer: Giovanni Faber, a papal doctor, botanist and collector from Bamberg who was curator of the Vatican Botanical Garden, and the Flemish landscape painter Paul Bril, long established in Rome. Both had converted from Lutheranism to Catholicism, as Elsheimer would later do.
1601
Meets Rubens
Rubens, who was in Rome in 1601 and knew both Faber and Bril, becomes another friend of Elsheimer and later reproaches him for not producing more work. Elsheimer also knew David Teniers the Elder, recently Rubens’ pupil, and there is evidence that the two lodged together.
