
PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN)
能看到吗?
目前未展出
《PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN)》现在在哪里? 收藏方: 惠特尼美国艺术博物馆, 纽约. 目前未展出. 核实 2026年10月12日.
纽约, 美國
仍属馆藏,只是目前没有展出。
- 核实
- 出处
- 博物馆
作品信息
- 馆藏编号
- 2013.83.2
已收入目录
出处
- 惠特尼美国艺术博物馆
- 图片: 惠特尼美国艺术博物馆 — © the artist or rights holder
Carl Andre当时的生活
完整生平1972
Tate buys “Equivalent VIII”
Britain’s Tate Gallery acquires “Equivalent VIII”, an arrangement of 120 firebricks.
1976
The “bricks controversy” over “Equivalent VIII”
After an article in The Sunday Times, the work that the Tate had shown several times without incident becomes the centre of a scandal and is later defaced with blue food dye; the “bricks controversy” becomes one of the most famous British debates about contemporary art.
1977年6月24日–1977年10月2日
Exhibition: Documenta 6
1979
Meets Ana Mendieta
At AIR Gallery in New York the artists Leon Golub and Nancy Spero introduce Andre to the Cuban-born avant-garde artist Ana Mendieta. A romance soon begins: he travels with her through Italy and Germany, introduces her to New York’s art society and helps organize her exhibitions.
1980
The book “12 Dialogues”
NYU Press publishes “12 Dialogues”, in which Andre and Hollis Frampton took turns replying to each other at a typewriter in poetry and free-form essay-like texts.
1982年6月19日–1982年9月28日
Exhibition: documenta 7














