John Everett Millais英国, 1829–1896Peace Concluded
关于这幅画
Peace Concluded, 1856 (1856) is a painting by John Everett Millais which depicts a wounded British officer reading The Times newspaper's report of the end of the Crimean War. It was exhibited at the Royal Academy in 1856 to mixed reviews, but was strongly endorsed by the critic John Ruskin who proclaimed that in the future it would be recognised as "among the world's best masterpieces". The central figure in the painting is a portrait of Millais's wife Effie Gray, who had previously been married to Ruskin. It is now in the Minneapolis Institute of Arts.
博物馆的介绍
At first glance this appears to be a family portrait complete with realistic details of middle-class English decor. In fact, it is a staged scene of domestic harmony, celebrating the end of the Crimean War. The father, a wounded officer, holds a copy of the Times announcing the war's end. One daughter clasps his combat medal. On the mother's lap, four animals from the toy Noah's Ark represent the four belligerents: Britain (lion), Russia (bear), the Ottoman Empire (turkey), and France (rooster). The girl at the left holds a dove with an olive branch in its beak, a symbol of peace. Millais belonged to a group of English painters called the Pre-Raphaelite Brotherhood. Their work emphasized close observation of nature and the depiction of contemporary events.
明尼阿波利斯美術館
作品信息
- 馆藏编号
- 69.48
与此同时，在John Everett Millais的生活中
完整生平1855年7月3日
Married: Effie Gray
1855–1857
After his marriage he changes manner: faster and dearer
Marriage changed Millais: to support his growing family he began to paint more quickly and in greater quantity and to sell his pictures dearly, moving away from Pre-Raphaelite principles. Effie became a powerful promoter of his work, and together they secured commissions and widened their circle; he gained great popularity and a fortune (up to £30,000 a year), while William Morris and other critics accused him of selling out.
1856年5月30日
Son born: Sir Everett Millais, 2nd Baronet
1857
Ruskin calls “Sir Isumbras” a catastrophe
Ruskin called Sir Isumbras (1857), in which Millais had departed sharply from Pre-Raphaelite technique, not even a failure but a catastrophe.
1857年9月19日
Son born: George Gray Millais
1858年11月28日
Daughter born: Effie Gray Millais
