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  1. 藏品/
  2. 哈佛藝術博物館/
  3. Orpheus and Eurydice
Orpheus and Eurydice, George Frederic Watts, 1870-1880
George Frederic Watts肖像George Frederic Watts英国, 1817–1904

Orpheus and Eurydice

1870-1880 · Painting

可否一睹真容?

眼下不见客

哈佛藝術博物館

剑桥, 美國

仍属馆藏,只是目前没有展出。

核实
3天前
此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1870-1880
18171904
馆藏编号
1943.205

已收入目录

绘画油画英国绘画现实主义印象派19 世纪英国

出处

  • 哈佛藝術博物館
  • 图片: 哈佛藝術博物館 — © President and Fellows of Harvard College

与此同时,在George Frederic Watts的生活中

完整生平
  1. 1850–1871

    Lives with the Prinseps at Little Holland House

    After meeting Henry Thoby Prinsep and his wife Sara in his studio, Watts enters the Prinseps’ bohemian circle, which includes Sara’s sisters and Julia Margaret Cameron; in 1850 he helps them take a 21-year lease on Little Holland House and lives there with them and their salon for those years. Of pupils he accepted only two — the hosts’ son Valentine Cameron Prinsep and John Roddam Spencer Stanhope; both remained friends, but neither became a major artist.

  2. early 1870s

    Commissions a new London home from Cockerell

    With the lease on Little Holland House nearing its end and the building soon to be demolished, Watts commissions F. P. Cockerell to build a new London home nearby — New Little Holland House, backing onto Lord Leighton’s estate.

  3. early 1870s

    Buys a house at Freshwater on the Isle of Wight

    Watts acquires a house at Freshwater on the Isle of Wight, where his friends Julia Margaret Cameron and Lord Tennyson already have homes. To keep up his friendship with the Prinsep family as their children begin to leave home, he builds The Briary for them nearby and adopts their relative Blanche Clogstoun.

  4. 1870s

    A revised “House of Life” under Max Müller’s influence

    The “House of Life” — a planned epic symbolic cycle in which the emotions and aspirations of life are expressed in one universal symbolic language — receives a revised version in the 1870s. Watts’s association with Rossetti and the Aesthetic movement changes: he combines the Classical tradition with a deliberately agitated, troubled surface, draws on the ideas of Max Müller, the founder of comparative religion, and hopes to trace the evolving mythologies of the world’s peoples, fusing spiritual ideas with modern science, above all Darwinian evolution.

  5. 1877

    A friend opens the Grosvenor Gallery

    In 1877 Watts’s friend Coutts Lindsay opens the Grosvenor Gallery, which will prove an ideal venue for the artist’s work over the next ten years.

  6. 1877

    The decree for divorce from Ellen Terry comes through

    Thirteen years after the wedding the decree nisi dissolving Watts’s marriage to Ellen Terry finally comes through.

George Frederic Watts的更多作品

全部作品
Clytie, George Frederic Watts, ca. 1868–75

Clytie

ca. 1868–75 · 大都會藝術博物館

Virginia Dalrymple (1850-1922), George Frederic Watts, 1865

Virginia Dalrymple (1850-1922)

1865 · 哈佛藝術博物館

The Creation of Eve, George Frederic Watts, c. 1865-c. 1899

The Creation of Eve

c. 1865-c. 1899 · 哈佛藝術博物館

The Genius of Greek Poetry, George Frederic Watts, 1878

The Genius of Greek Poetry

1878 · 哈佛藝術博物館

Head of a Young Woman, George Frederic Watts, 1860s

Head of a Young Woman

1860s · 未展出 · 国家美术馆

She Shall be Called Woman, George Frederic Watts, 1880s

She Shall be Called Woman

1880s · 国家美术馆

Study of Clouds, George Frederic Watts, 19th century

Study of Clouds

19th century · 国家美术馆

Dorothy Tennant, Later Lady Stanley, George Frederic Watts

Dorothy Tennant, Later Lady Stanley

国家美术馆

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博物馆页面
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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE