Hendrick Goltzius荷兰, 1558–1617Opstanding van Christus
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阿姆斯特丹国家博物馆
阿姆斯特丹, 荷蘭
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- 博物馆自己的馆藏数据
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博物馆的介绍 — 荷兰语
Christus staand op de rand van een graf met een vaandel in de handen, waarmee hij een duivels dier ter aarde duwt. Rondom de voorstelling een omlijsting met diverse gebeurtenissen die zich afspeelden na de dood van Christus gecombineerd met allegorische elementen. In de marge onderaan twee regels Latijn. Deze prent is onderdeel van een serie van zes allegorische scènes uit het leven van Christus.
阿姆斯特丹国家博物馆
作品信息
- 馆藏编号
- RP-P-1885-A-9313
画面内容
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出处
- 阿姆斯特丹国家博物馆：博物馆的开放数据 · 8天前获取
- 图片： 阿姆斯特丹国家博物馆 — public domain
与此同时，在Hendrick Goltzius的生活中
完整生平1577
Move to Haarlem
He followed Coornhert to Haarlem, where he remained for the rest of his life. There the publisher Philips Galle hired him to engrave a series of prints on the story of Lucretia; in the following years Goltzius engraved after the designs of other artists for Coornhert and for Antwerp publishers.
1577
Teacher: Dirck Volckertszoon Coornhert
1579
Marriage to a wealthy widow
At 21 he married a wealthy widow considerably older than himself. The "unequal marriage" gave him economic independence: he bought a house, opened his own engraving workshop, and two years later took on two apprentices.
1579–1587
Pupil: Jan Saenredam
1580
Beginning of his own publishing activity
He apparently began publishing prints on his own.
late 1580s
Depression and consumption
From the late 1580s he suffered from depression and consumption; his family life was unhappy.
