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  1. 藏品/
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  3. No. 12 Special
No. 12 Special, Georgia O'Keeffe, 1916
Georgia O'Keeffe肖像Georgia O'Keeffe美国, 1887–1986

No. 12 Special

1916 · Drawing

可否一睹真容?

眼下不见客

現代藝術博物館

纽约, 美國

仍属馆藏,只是目前没有展出。

核实
8天前
出处
博物馆
在地图上看博物馆页面

作品信息

1916 · 29岁
18871986
馆藏编号
200.1995

已收入目录

素描与水彩炭笔现代主义20 世纪

出处

  • 現代藝術博物館
  • 图片: 現代藝術博物館 — © the artist or rights holder

与此同时,在Georgia O'Keeffe的生活中

完整生平
  1. spring 1914

    Class with Arthur Wesley Dow at Columbia University

    In the spring she took a class with Dow himself at Teachers College, Columbia University; he influenced still further her thinking about how art is made.

  2. early 1916

    O’Keeffe’s drawings reach Stieglitz

    She mailed the charcoal drawings to her friend and former Teachers College classmate Anita Pollitzer, who took them to Stieglitz at his gallery 291 early in the year. He prized their purity and sincerity and said he would like to show them.

  3. April 1916

    Ten of her drawings shown at gallery 291

    In April Stieglitz exhibited ten of her drawings at his gallery 291, which promoted avant-garde American and European artists and photographers.

  4. 1917

    Exhibition of her work organised by Stieglitz

    Stieglitz held an exhibition of her work, and O’Keeffe came to New York to see it. From that visit he began to photograph her — and went on doing so for many years, often in the nude.

  5. 1918

    Stieglitz leaves his family for O’Keeffe

    Within a month Stieglitz took the first of many nude photographs of her at his family’s apartment while his wife was away; his wife came home and gave him an ultimatum, and he left at once and moved in with O’Keeffe. The divorce, delayed by his first wife and her family, took six years — until the wedding in December 1924.

  6. June 1918

    Moves to New York at Stieglitz’s invitation

    Stieglitz invited her to live and work in New York, promising a quiet studio and to underwrite a year of painting; to accept she resigned from teaching at West Texas State. He discouraged her use of watercolour, which was associated with amateur women artists.

Georgia O'Keeffe的更多作品

全部作品
Abstraction Blue, Georgia O'Keeffe, 1927

Abstraction Blue

1927 · 現代藝術博物館

Shell No. I, Georgia O'Keeffe, 1928

Shell No. I

1928 · 国家美术馆

Jack-in-the-Pulpit No. IV, Georgia O'Keeffe, 1930

Jack-in-the-Pulpit No. IV

1930 · 国家美术馆

Jack-in-Pulpit Abstraction - No. 5, Georgia O'Keeffe, 1930

Jack-in-Pulpit Abstraction - No. 5

1930 · 国家美术馆

Black Place I, Georgia O'Keeffe, 1945

Black Place I

1945 · 明尼阿波利斯美術館

A Black Bird with Snow-Covered Red Hills, Georgia O'Keeffe, 1946

A Black Bird with Snow-Covered Red Hills

1946 · 国家美术馆

Pedernal -- From the Ranch #1, Georgia O'Keeffe, 1956

Pedernal -- From the Ranch #1

1956 · 明尼阿波利斯美術館

Summer Days, Georgia O'Keeffe, 1936

Summer Days

1936 · 惠特尼美国艺术博物馆

同馆近邻:現代藝術博物館

博物馆页面
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950