Moisés Sáenz

1920s

Split in the Syndicate: Rivera leaves, Siqueiros comes to the fore

A feud broke out within the Syndicate over whether to publish El Machete or lose financial support for mural projects. Siqueiros moved to the forefront of the organisation when Rivera left in protest at the decision to prioritise politics over art.

1930

Arrested and exiled to Taxco

In 1930 Siqueiros was arrested and then exiled to the town of Taxco; the exile proved fruitful: he produced several dozen works there.

1932

Deported from the United States for political activity

The same year, 1932, Siqueiros was unceremoniously deported from the United States for political activity.

1932

A new method of mural painting: projector and spray gun

Painting a fresco on an outside wall, visible to passersby as well as intentional viewers, forced Siqueiros to reconsider his methodology: a mural, in his view, must conform to the normal transit of a spectator rather than be an enlarged easel painting. He eventually developed a technique of tracing figures onto a wall with an electric projector, photographing early wall sketches to improve perspective, and using new paints, spray guns and other tools suited to the surfaces of modern buildings.

1932

In Los Angeles: mural workshops at Nelbert Chouinard’s invitation

Facing expulsion from Mexico for his radical political activity, Siqueiros came to Los Angeles at the invitation of Nelbert Chouinard to conduct mural workshops. A collective experimenting with airbrushes, spray guns and projectors painted three major murals under his direction in six months.

1932

An exhibition and conference in Taxco on Mexican muralism

In 1932 Siqueiros led an exhibition and conference entitled “Rectifications on Mexican Muralism” at the gallery of the Spanish Casino in Taxco.