Henry Ossawa Tanner美国, 1859–1937Mary
可否一睹真容?
未知
史密森尼美國藝術博物館
華盛頓哥倫比亞特區, 美國
所有者已知,目前是否展出尚不清楚。
- 此状态始于
- 出处
- 博物馆
关于这幅画
Henry Ossawa Tanner saw Mary, mother of Jesus, as a symbol of faith and fortitude. He painted many images of her and created this particular work during a difficult and trying time in his life. In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England. In this scene, Mary awaits the arrival of the angel who will tell her that she bears the Son of God. The glowing lamp, a symbol of God’s presence, adds mystery and suspense to the painting.
史密森尼美國藝術博物館
作品信息
- 馆藏编号
- 1991.102
画面内容
已收入目录
出处
- 史密森尼美國藝術博物館
- 图片: 史密森尼美國藝術博物館 — CC0
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![Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995](https://api.nga.gov/iiif/b1ae88f0-bb0c-4b98-bd7f-3d50148b518e/full/!2400,2400/0/default.jpg)




