Love Restrained by the Graces, Konrad Linck, possibly 1763-1777
Konrad Linck

Love Restrained by the Graces

possibly 1763-1777 · Sculpture

能看到吗?

是,正在展出

《Love Restrained by the Graces》现在在哪里? 哈佛藝術博物館, Gallery 2220, floor 2, European and American Art, 17th–19th century, 剑桥. 是,正在展出. 核实 2026年10月12日.

哈佛藝術博物館

剑桥, 美國

展厅2220, floor 2, European and American Art, 17th–19th century

正对公众展出。

核实
此状态始于
出处
博物馆
嵌入

关于这件雕塑

In the 18th century, porcelain was the most modern decoration because it had so recently been made for the first time in Europe. This new material was used to create objects dealing with contemporary popular themes, such as fashionable life and love. Earlier experiments in making “true” porcelain had failed, and vessels continued to be made of earthenware, like the punch bowl in an adjacent gallery (2240). Creating “true,” or hard-paste, porcelain out of feldspar and quartz became an obsession for European monarchs in their quest to compete with imported Chinese works and, later, with one another as they set up various nationalized porcelain factories.

继续阅读

In Love Restrained by the Graces, cupid figures are encircled by and intertwined with nude females symbolizing beauty and joy. Such a work could evoke pleasing associations during the consumption of sweets at the end of a meal. While enjoying dessert, a European male viewer might contemplate the ideal of self-control in the face of desire, to say nothing of the industrial and artistic dominance over a rival state suggested by such fine wares.

For a special display of Chinese and Korean porcelain, visit Gallery 3620. See more 18th-century German porcelain in an installation designed by contemporary artist Arlene Shechet in Gallery 1510.

哈佛藝術博物館

作品信息

馆藏编号
BR64.75

已收入目录

出处

同一展厅 · Gallery 2220, floor 2, European and American Art, 17th–19th century, 哈佛藝術博物館

博物馆页面