
Roy Lichtenstein美国, 1923–1997《看呀米奇》(或《看呀米奇!》)是罗伊·利希滕斯坦于1961年创作的帆布油画。这幅画被公认为是连接罗伊的抽象表现主义和波普艺术作品之间的桥梁,以其讽刺幽默和审美价值而闻名,同时这幅画也是首个由艺术家运用本戴点、对话框和喜剧图像作为创作源泉因而创作而成的艺术作品。利希滕斯坦去世后,这幅画被遗赠给华盛顿特区国家美术馆。
《看呀米奇》这幅画以利希滕斯坦在20世纪50年代末创作的连环漫画的人物画为基础,标志着利希滕斯坦首次充分运用绘画技巧以再现近乎忠实的流行文化作品,进而评论和讽刺了当时的正处于发展中的视觉图像批量生产工艺。在这一点上,利希滕斯坦开创了一个影响深远的主题,该主题不仅对20世纪60年代的波普艺术产生了影响,也在持续影响着当代艺术家的作品。利希滕斯坦借用了一本关于米老鼠和唐老鸭的一次钓鱼事故的唐老鸭插图故事书。不过他对原画进行了大改,包括修改配色方案和视角,同时也进行了一些自述。
这件作品可以追溯到利希滕斯坦的首次个展。艺术评论家们认为,这件作品无论是作为波普艺术作为一件普通的现代艺术作品的一大进步是革命性的。后来,这幅画又出现在罗伊1973年的画作《艺术家工作室——看呀米奇》中,可以看出这幅画被挂在了利希滕斯坦工作室护面墙很显眼的位置。
1957–1960
Employed by: State University of New York at Oswego
1960
Rutgers and the influence of Allan Kaprow
In 1960 Lichtenstein began teaching at Rutgers University, where he was heavily influenced by Allan Kaprow, who also taught there. The environment reignited his interest in proto-Pop imagery.
1961
The turn to Pop Art: a challenge from his son
In 1961 Lichtenstein began his first Pop paintings, using cartoon images and techniques derived from commercial printing; the first work to use hard-edged figures and Ben-Day dots on a large scale was “Look Mickey”. The push came from his son, who, as the artist told it, pointed to a Mickey Mouse comic book and doubted that his father could paint as well.
1961
Leo Castelli begins showing his work
In 1961 Leo Castelli began displaying Lichtenstein’s work at his gallery in New York.
1962
The Castelli show sells out before it opens
Lichtenstein’s first one-man show at the Castelli gallery took place in 1962: the entire collection was bought by influential collectors before it even opened. The Leo Castelli Gallery has represented him exclusively since then.
1963–1964
Leaves Rutgers and returns to New York
In September 1963 Lichtenstein took a leave of absence from Douglass College at Rutgers; in 1964 he moved back to New York to be at the centre of the art scene and resigned from Rutgers to concentrate on his painting.