Le Jugement de Salomon, Poussin, Nicolas, 2e quart du XVIIe siècle (1649)
Nicolas Poussin肖像Nicolas Poussin法国, 1594–1665

Le Jugement de Salomon

2e quart du XVIIe siècle (1649) · Peintures

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《Le Jugement de Salomon》现在在哪里? 卢浮宫博物馆, Salle 826, Aile Richelieu, Niveau 2, 巴黎. 是,正在展出. 核实 2026年9月26日.

卢浮宫博物馆

巴黎, 法國

展厅826, Aile Richelieu, Niveau 2

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关于这幅画

The Judgement of Solomon is an oil on canvas painting of the judgement of Solomon by the French artist Poussin, from 1649. Produced during his 1647-1649 stay in Rome, it is now in the Louvre, in Paris. It measures 101 by 150 cm. Art historians largely consider it as one of the artist masterpieces, in the art of the 17th century French School and French art as a whole. Several engravings were produced of the work.

It was commissioned by Jean Pointel, a banker from Lyon and a close friend and faithful patron of Poussin, and sent to him to display in Paris during the following months. After Pointel's death, the work passed to the financier Nicolas du Plessis-Rambouillet, then the Procureur Général to the Parliament of Paris Achille III de Harlay, and then to Charles-Antoine Hérault, a painter and a member of the Académie française. Hérault sold the work to Louis XIV in 1685 for 5000 livres.

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The French royal collection initially hung it in a cabinet in the surintendance des Bâtiments, before moving it to the château de Versailles around 1710, before being seen in the salon of the directeur des Bâtiments du roi in 1784. In 1792–1793, in accordance with the principles of the Decree of 2 November 1789, the painting was seized by the revolutionary state and moved to the Louvre as one of the works displayed there when it first opened as a public museum on 10 August 1793.

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作品信息

馆藏编号
INV 7277

已收入目录

出处

  • 卢浮宫博物馆
  • 图片: 卢浮宫博物馆 — © 2011 GrandPalaisRmn (musée du Louvre) / Stéphane Maréchalle

Nicolas Poussin当时的生活

完整生平
  1. 1641–1665

    Post: Premier peintre du Roi

  2. 1647

    André Félibien becomes friend and pupil

    In 1647 André Félibien, secretary of the French embassy in Rome, became a friend and painting student of Poussin; later he wrote one of the first biographies of the artist.

  3. after 1650

    A trembling hand: his health declines

    After 1650 Poussin’s health declined and a tremor in his hand grew worse — evidence of it is visible in his late drawings.

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