Titian意大利, 1490–1576荆棘加冕
Le Couronnement d'épines
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《荆棘加冕》现在在哪里？ 卢浮宫博物馆, Salle 711, Aile Denon, Niveau 1, 巴黎. 是，正在展出. 核实 2026年9月26日.
闭馆· 明天 9:00 开馆
正对公众展出。
- 核实
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- 出处
- 博物馆
关于这幅画
《荆棘冠冕》是意大利文艺复兴艺术大师提香的一幅布面油画，绘制于1542 至 1543 年，现藏于法国巴黎的卢浮宫。
这幅画是由米兰恩宠圣母堂 的善会订制。1797 年拿破仑征服米兰时将其抢到法国。
画中的场景相当残酷：折磨者用手杖将王冠拧到耶稣的头上。画中耶稣的一只脚伸到台阶上，人们可以感觉到血液在血管中流动。手杖组成的图案，像刀一样切开人物，在耶稣头部的右侧形成一个三角形。提香无与伦比的风格，还体现在闲置在最前面的台阶上的手杖，像蛇一样静止、无影且致命。
德国画家弗里茨·冯·乌德认为这幅画是“有史以来最伟大的画作”。
作品信息
- 馆藏编号
- INV 748
已收入目录
出处
- 卢浮宫博物馆
- 图片： 卢浮宫博物馆 — © 2019 GrandPalaisRmn (musée du Louvre) / Adrien Didierjean
Titian当时的生活
完整生平1525
Marries Cecilia, the mother of his sons
Cecilia, a barber's daughter from Pieve di Cadore, had been Titian's housekeeper and for some five years his mistress, and had already borne him two sons, Pomponio and Orazio. In 1525, when she fell seriously ill, Titian married her to legitimise the children; Cecilia recovered, and the marriage was a happy one.
1527
Aretino, Sansovino and the “triumvirate”
In March 1527 the satirist Pietro Aretino arrived in Venice: he became friends with Titian and with Jacopo Sansovino, and the three were popularly known as “the triumvirate”, becoming the centre of the city's artistic establishment. Aretino enlisted both in pursuing the patronage of Federico II Gonzaga, and by the autumn of 1527 the Marquis of Mantua had received from Titian a portrait of Aretino (lost); important commissions and an introduction to Emperor Charles V followed.
1529
First meeting with Emperor Charles V in Parma
Thanks to the patronage of Federico Gonzaga, Duke of Mantua, in 1529 at Parma Titian obtained an audience with Emperor Charles V, who promised him his patronage.
1533
Bologna: Count Palatine and Knight of the Golden Spur
In 1533, after painting a portrait of Emperor Charles V in Bologna, Titian was made a Count Palatine and Knight of the Golden Spur; his children were reportedly also made nobles of the Empire. He was court painter to Charles V from 1533 and received from him a heavy gold chain.
1545–1546
A triumphant trip to Rome
In 1545–1546 Titian made a triumphant trip to Rome, painting portraits of Pope Paul III and meeting Michelangelo. Returning to Venice, he found that the most lucrative commissions were going to other, younger artists.
1547–1548
Augsburg: the “Equestrian Portrait of Charles V”
In 1547 Titian was summoned from Venice to Augsburg to paint portraits of Charles V and other dignitaries; at the Diet in early 1548 he completed six paintings, among them the “Equestrian Portrait of Charles V”. He also made the emperor aware that he had not received a single payment of his stipend, and on 10 July 1548 Charles V granted him a second annual pension of 100 scudi.
