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首页地图目录
  1. 藏品/
  2. 現代藝術博物館/
  3. Language Must Speak for Itself
Language Must Speak for Itself, Joseph Kosuth, 1991
Joseph Kosuth肖像Joseph Kosuth美国, 1945

Language Must Speak for Itself

1991 · Sculpture

可否一睹真容?

眼下不见客

現代藝術博物館

纽约, 美國

仍属馆藏,只是目前没有展出。

核实
9天前
出处
博物馆
在地图上看博物馆页面

作品信息

1991 · 46岁
1945现在
馆藏编号
740.1998

已收入目录

雕塑当代艺术20 世纪

出处

  • 現代藝術博物館
  • 图片: 現代藝術博物館 — © the artist or rights holder

与此同时,在Joseph Kosuth的生活中

完整生平
  1. 1989

    Founds the Foundation for the Arts at the Freud Museum

    With Peter Pakesch he founds the Foundation for the Arts at the Sigmund Freud Museum in Vienna on the 50th anniversary of Freud’s death; Kosuth becomes its president. After giving the museum a work of his own, he invites other artists to do the same: the museum now holds thirteen works by thirteen Freud-influenced Conceptualists.

  2. 1989

    Curates a Wittgenstein show in Vienna and Brussels

    To mark the philosopher’s 100th birthday he curates “Ludwig Wittgenstein. Das Spiel des Unsagbaren,” showing numerous works by fellow artists; the exhibition is shown at the Wiener Secession in Vienna and the Palais des Beaux-Arts in Brussels.

  3. 1990

    Curates “A Play of the Unmentionable”

    In response to the debate over conservative attacks on the National Endowment for the Arts, he organizes at the Brooklyn Museum an exhibition on censorship drawn from its permanent collection: religious paintings, nudes, social satire, erotica, sculptures by Rodin, Bauhaus furniture. They are set beside statements by writers, art historians, philosophers and social critics to show how perceptions of art keep changing.

  4. 1992

    Takes part in documenta IX

    Invited to documenta IX.

  5. 1992年6月13日–1992年9月20日

    Exhibition: Documenta IX

  6. 1993

    Venice Biennale: an honorable mention

    He exhibits at the Venice Biennale and receives the Menzione d’Onore (honorable mention).

Joseph Kosuth的更多作品

全部作品
One and Three Chairs, Joseph Kosuth, 1965

一把和三把椅子

1965 · 未展出 · 現代藝術博物館

Notebook on Water from Artists & Photographs, Joseph Kosuth, 1965–66, published 1970

Notebook on Water from Artists & Photographs

1965–66, published 1970 · 未展出 · 現代藝術博物館

Titled (Art as Idea as Idea) The Word "Definition", Joseph Kosuth, 1966-68

Titled (Art as Idea as Idea) The Word "Definition"

1966-68 · 未展出 · 現代藝術博物館

25 plates from Untitled (Xerox Book), Joseph Kosuth, 1968

25 plates from Untitled (Xerox Book)

1968 · 未展出 · 現代藝術博物館

Four Titled Abstracts from S.M.S. No. 3, Joseph Kosuth, 1968

Four Titled Abstracts from S.M.S. No. 3

1968 · 未展出 · 現代藝術博物館

15 Locations, Joseph Kosuth, 1969-70

15 Locations

1969-70 · 未展出 · 現代藝術博物館

Exhibition Art & Project, Joseph Kosuth, 1969

Exhibition Art & Project

1969 · 未展出 · 現代藝術博物館

O&A/F! D! (To 1.K. & 6F) #5, Joseph Kosuth, 1987

O&A/F! D! (To 1.K. & 6F) #5

1987 · 未展出 · 現代藝術博物館

同馆近邻:現代藝術博物館

博物馆页面
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

星夜, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950