Camille Corot法国, 1796–1875Landscape with Pollard Willows
可否一睹真容？
未知
阿姆斯特丹国家博物馆
阿姆斯特丹, 荷蘭
所有者已知，目前是否展出尚不清楚。
- 出处
- 博物馆
关于这幅画
博物馆的介绍 — 荷兰语
Landschap met knotwilgen. Rechts een vrouw met een geit. In de verte een boerderij.
阿姆斯特丹国家博物馆
作品信息
- 馆藏编号
- SK-A-2882
与此同时，在Camille Corot的生活中
完整生平1845
Baudelaire proclaims Corot leader of modern landscape
Throughout the 1840s the Salon rejected many of Corot's works and the public bought few. But by 1845 Baudelaire led a charge proclaiming him the leader of the “modern school of landscape painting”, answering critics who found his colors pale: Corot, he said, was more a harmonist than a colorist.
1847
Delacroix takes note of Corot; Dutilleux becomes a friend
In 1847 Delacroix noted in his journal that Corot was a true artist. On Delacroix's recommendation the painter Constant Dutilleux bought a Corot painting and began a long and rewarding relationship with the artist, bringing him friendship and patrons.
1848
After the Revolution of 1848, a seat on the Salon jury
Corot's public treatment improved dramatically after the Revolution of 1848, when he was admitted to the Salon jury; that year he also received a second-class medal at the Salon. It brought him little state patronage, however.
1872
A house in Auvers for the blind Daumier
In 1872 Corot bought a house in Auvers as a gift for Honoré Daumier, who by then was blind, without resources and homeless.
25 January 1875
Ill with stomach cancer, he returns to Paris
Suffering from stomach cancer, Corot returned to Paris on 25 January 1875. He remained bedridden at No. 56 Rue du Faubourg-Poissonnière until his death.
