
Aat Veldhoen1934–2018可否一睹真容?
阿姆斯特丹, 荷蘭
归属已知。今日是否在展,馆方并未说明,而我们不敢妄加揣测。
Around 1977, Veldhoen discovered the expressive possibilities of the ‘manipulated Polaroid’: he scratched into a wet Polaroid with the blunt tip of a pencil, a file, or the back of a brush. Veldhoen heightened the miniature paintings with colourful and fluorescent acrylic paints, sometimes even with nail varnish and lipstick. ‘Manipulating’ is putting it mildly.
阿姆斯特丹国家博物馆