Jacques Callot法国, 1592–1635Kruisiging
可否一睹真容？
未知：馆方守口如瓶
阿姆斯特丹国家博物馆
阿姆斯特丹, 荷蘭
归属已知。今日是否在展，馆方并未说明，而我们不敢妄加揣测。
- 出处
- 博物馆自己的馆藏数据
关于作品
In the museum's own words — the original
Maria en Johannes de Evangelist staan aan weerszijden van de gekruisigde Christus. Deze prent is onderdeel van (de tweede staat van) een serie van 29 voorstellingen van schilderijen en sculpturen in kerken te Rome, genummerd 1-16 en 1-13. (De eerste staat van deze serie, waarin de prenten ongenummerd zijn, behelst ook een titelprent).
阿姆斯特丹国家博物馆
作品信息
- 馆藏编号
- RP-P-OB-4847
What it shows
已收入目录
出处
- 阿姆斯特丹国家博物馆: the museum's own open data · 6天前获取
- 图片： 阿姆斯特丹国家博物馆 — public domain
与此同时，在Jacques Callot的生活中
完整生平1608
Runs away from home to Rome
Secretly from his parents Jacques sets out on foot for Rome — according to legend, with wandering Romani; by one account he ran away twice and twice came back at his father’s demand, until his father finally consented to his studying in Italy.
1608 · 工作地
Nancy
1608–1611 · 工作地
Rome
1611
Studies etching with Tempesta in Florence
Having studied burin engraving in Rome with Philippe Thomassin, Callot moves to Florence, where he works with Antonio Tempesta, who teaches him the technique of line etching (by other accounts, he lived in Florence from 1612).
1611–1621 · 工作地
Florence
1612
Joins the workshop of Giulio Parigi
In Florence Callot also studies with the painter and engraver Remigio Cantagallina, and in 1612 joins the workshop of Giulio Parigi; he later often collaborates with both, coming under Parigi’s influence.
