The Concert

childhood and youth (until 1630)

Under the care of Don Marcello Anania

From an early age he was entrusted to the care of Don Marcello Anania, the parish priest of Santa Barbara in Taverna, who taught him grammar and the humanities and facilitated his initial contacts with Roman cultural circles. Art in his native Calabria was still rooted in the tradition of late Neapolitan Mannerism, as exemplified by Giovanni Balducci, Giovanni Bernardino Azzolini and Fabrizio Santafede.

1630

Moves to Rome to live with his brother Gregorio

He moved to Rome, where he lived with his older brother Gregorio, also a painter and about ten years his senior, who had arrived in the Papal capital two years earlier, in 1628. There he became acquainted with the techniques of Caravaggio and his followers, such as Bartolomeo Manfredi, Nicolas Tournier and Valentin de Boulogne, and in his early works he often used sharp contrasts between deep shadow and intense light and depicted everyday subjects: card players, musicians and tavern scenes.

1630–1653

Frequent journeys: Italy, Spain and Flanders

Although he remained in Rome for nearly twenty-five years, he travelled frequently throughout Italy and abroad, particularly to Spain and Flanders, and established contacts with Emilian painters of the preceding generation, Guercino and Giovanni Lanfranco, who further influenced his style.

1636

The brothers’ home at San Biagio; the Accademia di San Luca

By 1636 Mattia and Gregorio Preti were recorded as residing at the Church of San Biagio a Montecitorio, and their names had already appeared on lists of artists associated with the Accademia di San Luca, although they did not formally join the institution.