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  1. 藏品/
  2. 安東·烏爾里希公爵美術館/
  3. Karikatur eines Malers
Karikatur eines Malers, William Hogarth, 1717–1764
William Hogarth肖像William Hogarth英格兰, 1697–1764

Karikatur eines Malers

1717–1764 · Drawing

可否一睹真容?

未知

安東·烏爾里希公爵美術館

不伦瑞克, 德國

所有者已知,目前是否展出尚不清楚。

此状态始于
2026年9月27日
出处
博物馆
在地图上看博物馆页面

作品信息

1717–1764
16971764

已收入目录

素描与水彩巴洛克18 世纪

出处

  • 安東·烏爾里希公爵美術館
  • 图片: 安東·烏爾里希公爵美術館 — CC BY-NC-SA 4.0

与此同时,在William Hogarth的生活中

完整生平
  1. 23 March 1729

    A secret wedding to Jane Thornhill

    Not hoping for Sir James’s consent — he saw the match as unequal, Hogarth being a rather obscure artist then — William and Jane married in secret at Paddington Church. Jane and her mother helped to reconcile him with his father-in-law: they hung the first paintings of “A Harlot’s Progress” in his house, and on learning the artist’s name Sir James admitted that a man who could produce such pictures could also keep a wife without a dowry.

  2. 1735

    Founds the St Martin’s Lane Academy

    In 1735 Hogarth founded the St Martin’s Lane Academy in London — in essence a drawing studio that grew out of a circle of painters, draughtsmen and engravers who met at Slaughter’s coffee house on St Martin’s Lane. It became a forerunner of the Royal Academy of Arts and spread new artistic ideas in England.

  3. 25 June 1735

    “Hogarth’s Act”: copyright for engravings

    When the success of the two series produced numerous pirated copies, Hogarth lobbied Parliament for a law protecting engravers: the Engravers’ Copyright Act, known as “Hogarth’s Act”, became law on 25 June 1735 — the first copyright law to cover visual works and to recognise the authorial rights of an individual artist.

  4. 1753

    The treatise “The Analysis of Beauty”

    In 1753 Hogarth published the treatise “The Analysis of Beauty”, in which he declared the S-shaped “line of beauty” — a serpentine line that conveys life and movement — the basis of harmony, and made it his emblem. His adherents praised the book as a fine statement on aesthetics, while enemies and rivals such as Paul Sandby mocked its obscurities and minor errors in endless caricatures.

  5. 1757

    Serjeant Painter to the King

    In 1757 George II appointed Hogarth Serjeant Painter to the King, successor to James Thornhill, who had held the post before him.

  6. 1764年10月26日

    Died

William Hogarth的更多作品

全部作品
The Sleeping Congregation, William Hogarth, 1728

The Sleeping Congregation

1728 · 明尼阿波利斯美術館

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729

The Wedding of Stephen Beckingham and Mary Cox

1729 · 大都會藝術博物館

Before, William Hogarth, 1730–1731

Before

1730–1731 · J·保羅·蓋蒂博物館

After, William Hogarth, 1730–1731

After

1730–1731 · J·保羅·蓋蒂博物館

William Hogarth's Business Card, Samuel Ireland after William Hogarth

William Hogarth's Business Card

未展出 · 国家美术馆

Taste in high life, William Hogarth

Taste in high life

阿尔贝蒂娜博物馆

Le Roué à Oxford dit autrefois Débat sur la chiromancie, Hogarth, William, XVIIIe siècle (1700 - 1800)

Le Roué à Oxford dit autrefois Débat sur la chiromancie

XVIIIe siècle (1700 - 1800) · 未展出 · 卢浮宫博物馆

Lavinia Fenton, Duchess of Bolton, William Hogarth, 18th century

Lavinia Fenton, Duchess of Bolton

18th century · 国家美术馆

来自安東·烏爾里希公爵美術館的收藏

博物馆页面
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771