John Plampin, Thomas Gainsborough, c. 1752
Thomas Gainsborough肖像Thomas Gainsborough英国, 1727–1788

John Plampin

c. 1752 · Painting · 50.2 × 60.3 cm

可否一睹真容?

未知

国家美术馆

倫敦, 英国

所有者已知,目前是否展出尚不清楚。

此状态始于
出处
博物馆

作品信息

馆藏编号
NG5984

已收入目录

出处

  • 维基数据
  • 图片: 国家美术馆 — Thomas Gainsborough · Public domain · Wikimedia Commons

与此同时,在Thomas Gainsborough的生活中

完整生平
  1. 1750年1月31日

    Daughter born: Mary Gainsborough Fischer

  2. 1750s

    Portraits pay the bills: the example of Hogarth

    Gainsborough's main income comes from portraits; in this genre he tries to follow Hogarth, caring more about likeness than about conveying the sitter's social standing. Around 1753, probably, he receives a flattering commission for a portrait of Admiral Vernon, and he paints many members of his own family — for example a self-portrait of 1754 in a tricorn hat.

  3. 1751

    Daughter born: Margaret Gainsborough

  4. 1752

    The move to Ipswich

    In 1752 Gainsborough, his wife and their two daughters, Mary (“Molly”) and Margaret (“Peggy”), move to Ipswich. Portrait commissions increase, but his clients are mostly local merchants and squires, and he has to borrow against his wife's annuity of £200, which the Duke of Beaufort had settled on her.

  5. c. 1752 – 1759

    The Ipswich Music Club

    In Ipswich Gainsborough becomes a member of the Music Club, where he meets fellow music lovers and professional musicians; later he will paint portraits of some of them, and a group portrait of the club's members.

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